Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.
David Quinn is best known for his graphic novel Faust, co-created with artist Tim Vigil, which sparked a series of follow-ups and a movie adaptation. Among his other works, Quinn enjoyed a lengthy run on Doctor Strange, Sorcerer Supreme, and has written Chaos! Comics titles Purgatori and Lady Death.
Steven Grant has written Captain America, Incredible Hulk, Master of Kung Fu, Spidey Super Stories and more. In 1985, he penned the first Punisher miniseries, revisiting the character in several Holiday Special stories and the graphic novel Return to Big Nothing. Grant has also written First Comics’ American Flagg, Shatter and his creator-owned Whisper.
An editor and colorist as well as a writer, Gregory Wright provided both scripts and colors not only for Deathlok, but also for fellow 1990s favorites Morbius and Silver Sable. He also wrote both Daredevil and Nick Fury and colored Amazing Spider-Man, Captain America, Fantastic Four, X-Men: The Hidden Years and other Marvel titles. His DC work has been similarly wide-ranging, with coloring stints on such series as Batman, Nightwing, Starman, Teen Titans and Zero Hour: Crisis in Time. He has earned two Comics Buyer’s Guide Fan Awards for Favorite Colorist.
Len Kaminski racked up extensive credits as a writer and assistant editor at the House of Ideas, including contributions as scribe to Iron Man and Marvel Comics Presents. Editorially, he left his mark on Avengers and a number of related titles, among others.
Having begun his career on G.I. Joe, Eisner Award-nominated artist Ron Garney is known for well-received runs on Captain America and Amazing Spider-Man. He has teamed with writer Jason Aaron on Wolverine, Wolverine Weapon X and Ultimate Captain America. Garney has also contributed design work to such films as Will Smith’s I Am Legend and Nicolas Cage’s The Sorcerer’s Apprentice. His later Marvel work includes Uncanny X-Force and a collaboration with Charles Soule on Daredevil. Garney reunited with Aaron on Thor: God of Thunder and then the creator-owned Men of Wrath for Marvel’s Icon imprint.
Chris Bachalo spent the early years of his career collaborating with writer Neil Gaiman; his quirky style proved a perfect fit for the offbeat Sandman character Death in Death: The High Cost of Living and its sequel, Death: The Time of Your Life. His initial Marvel work on Generation X began a long association with the X-Universe across various titles that saw him become a fan-favorite artist for Marvel’s mutants. Subsequently, he created Steampunk with Joe Kelly, and made forays into the Ultimate Universe and a big splash in the “Brand New Day” era of Amazing Spider-Man. His art has also graced the pages of New Avengers and the Dark Reign: Sinister Spider-Man limited series, as well as Marvel NOW!’s Uncanny X-Men. Bachalo helped reinvigorate Marvel’s Sorcerer Supreme along with writer Jason Aaron on Doctor Strange. His subsequent work has included Deadpool and the high-octane, web-slinging action of Non-Stop Spider-Man.
Artist Andrew Wildman made a name for himself on Marvel UK titles including Thundercats, The Real Ghostbusters and Transformers, soon graduating onto the American Transformers series with writer Simon Furman. Wildman’s subsequent credits include G.I. Joe, Venom: Carnage Unleashed and Spider-Man 2099.
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