Howard Mackie got his start at Marvel during the late 1980s as an editor and then a writer. One of his first series as full-time scribe was 1990’s massively popular Ghost Rider, which introduced the alter ego Danny Ketch to the mythos of the Spirit of Vengeance. He also wrote prolifically in the Spider-Man and X-Men titles of the ’90s.
Len Kaminski racked up extensive credits as a writer and assistant editor at the House of Ideas, including contributions as scribe to Iron Man and Marvel Comics Presents. Editorially, he left his mark on Avengers and a number of related titles, among others.
An editor and colorist as well as a writer, Gregory Wright provided both scripts and colors not only for Deathlok, but also for fellow 1990s favorites Morbius and Silver Sable. He also wrote both Daredevil and Nick Fury and colored Amazing Spider-Man, Captain America, Fantastic Four, X-Men: The Hidden Years and other Marvel titles. His DC work has been similarly wide-ranging, with coloring stints on such series as Batman, Nightwing, Starman, Teen Titans and Zero Hour: Crisis in Time. He has earned two Comics Buyer’s Guide Fan Awards for Favorite Colorist.
The son of industry pioneer Joe Kubert, Adam Kubert has won numerous comics-industry achievement awards — including an Eisner Award and a Wizard magazine award. His landmark runs on Wolverine and Incredible Hulk made him a superstar, leading him to work on X-Men titles including the Marvel Universe-changing Onslaught saga. His subsequent efforts for Marvel include revisiting the world of Logan on Astonishing Spider-Man & Wolverine and the blockbuster sequel Origin II. Kubert joined the stellar artistic lineup of the event series Avengers vs. X-Men, and his subsequent work includes All-New, All-Different Avengers; Peter Parker: The Spectacular Spider-Man; and Captain America. In 2020, he made a triumphant return to his signature character for the Dawn of X relaunch of Wolverine.
Two-time Emmy Award-winner Bret Blevins’ early Marvel work included adaptations of films such as The Dark Crystal, Krull and The Last Starfighter. Moving into the Marvel Universe, he drew Strange Tales’ Cloak and Dagger feature, and penciled much of Louise Simonson’s New Mutants run. In 1996, he moved into TV animation, storyboarding for Batman Beyond, Justice League and New Batman/Superman Adventures. He now divides time between oil painting and freelance storyboarding.
Having begun his career on G.I. Joe, Eisner Award-nominated artist Ron Garney is known for well-received runs on Captain America and Amazing Spider-Man. He has teamed with writer Jason Aaron on Wolverine, Wolverine Weapon X and Ultimate Captain America. Garney has also contributed design work to such films as Will Smith’s I Am Legend and Nicolas Cage’s The Sorcerer’s Apprentice. His later Marvel work includes Uncanny X-Force and a collaboration with Charles Soule on Daredevil. Garney reunited with Aaron on Thor: God of Thunder and then the creator-owned Men of Wrath for Marvel’s Icon imprint.
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