One of the most tumultuous eras in Iron Man history begins as Tony Stark goes after anyone and everyone wearing armor!
Time for the Armored Avenger to start avenging! Tony Stark is back in the groove as Iron Man, from outer space to the ocean depths. But the new Stark Enterprises is on constant super-villain alert, under attack from familiar faces like Spymaster and new threats like the ethereal Ghost. And when Tony discovers that his technology has been stolen and abused, he declares war on anyone in armor! Iron Man's new ruthless streak brings him into conflict with the U.S. government, S.H.I.E.L.D. and the Avengers. And as his actions grow ever more extreme, he must battle an old friend in a new guise - Steve Rogers, aka the Captain! By the time the dust settles on these Armor Wars, the world might need a new Iron Man!
COLLECTING: IRON MAN (1968) #215-232 and ANNUAL #9
After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.
Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.
Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).
One of the most tumultuous eras in Iron Man history begins as Tony Stark goes after anyone and everyone wearing armor!
Time for the Armored Avenger to start avenging! Tony Stark is back in the groove as Iron Man, from outer space to the ocean depths. But the new Stark Enterprises is on constant super-villain alert, under attack from familiar faces like Spymaster and new threats like the ethereal Ghost. And when Tony discovers that his technology has been stolen and abused, he declares war on anyone in armor! Iron Man's new ruthless streak brings him into conflict with the U.S. government, S.H.I.E.L.D. and the Avengers. And as his actions grow ever more extreme, he must battle an old friend in a new guise - Steve Rogers, aka the Captain! By the time the dust settles on these Armor Wars, the world might need a new Iron Man!
COLLECTING: IRON MAN (1968) #215-232 and ANNUAL #9
Author
After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.
Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.
Bob Layton began as a prolific and popular inker for Charlton, Marvel and DC Comics, where he first teamed with longtime collaborator David Michelinie on Claw the Unconquered and Star Hunters. The Michelinie-Layton duo’s writing work on Iron Man (1978-1982 and 1987-1989) is one of the most popular and influential interpretations of that character. Leaving Marvel in 1990, he became a key writer/artist/editor at Valiant Comics, where he co-created characters such as X-O Manowar and rose to the post of editor in chief before departing. He still does occasional freelance work for DC and Marvel, notably Michelinie-Layton reunion projects Iron Man: Bad Blood (2000), Iron Man: Legacy of Doom (2008) and Iron Man: The End (2009).
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