The critically acclaimed, award-winning creative team of Ed Brubaker and Michael Lark concludes its explosive run! The Hand is back in New York and in league with Lady Bullseye! The Kingpin has also returned, forging a surprising pact with Daredevil to target the ninja cult - but what is the former crime boss' true plan? Then, an old friend brings Matt Murdock the last-minute appeal of a villain on death row. What will Matt do when confronted with a convicted bad guy who's completely innocent? Also featuring the threat of the Owl! And Daredevil gains an unlikely new ally: the Black Tarantula! Plus: One of the most surprising endings in Daredevil's history! Collecting DAREDEVIL (1998) #106-119 and #500, DAREDEVIL ANNUAL (2007) #1, and DAREDEVIL: BLOOD OF THE TARANTULA.
Ed Brubaker is one of the most acclaimed writers in comics, a multiple Eisner Award winner. Following fan-favorite runs on Scene of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved to Marvel. His Captain America relaunch, in which he controversially revived Bucky Barnes as the Winter Soldier, won over fans new and old, and his revisionist take on the history of Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig on Uncanny X-Men, Marvel’s flagship X-title. He and longtime artistic collaborator Michael Lark took up the baton on Daredevil after Brian Michael Bendis and Alex Maleev’s legendary run concluded, and Brubaker jump-started Immortal Iron Fist with co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint published Brubaker’s creator-owned Criminal and Incognito, and he has gone on to further success at Image Comics with such titles as Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has written for TV’s Westworld and co-created the crime drama Too Old to Die Young.
Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham Central and the noir Scene of the Crime, as well as adding a timeworn elegance to the World War II flashbacks in Captain America. But his work with Brubaker on Daredevil set new highs — not only for their collaborative efforts, but for the narrative tapestry of Marvel’s Man Without Fear.
The critically acclaimed, award-winning creative team of Ed Brubaker and Michael Lark concludes its explosive run! The Hand is back in New York and in league with Lady Bullseye! The Kingpin has also returned, forging a surprising pact with Daredevil to target the ninja cult - but what is the former crime boss' true plan? Then, an old friend brings Matt Murdock the last-minute appeal of a villain on death row. What will Matt do when confronted with a convicted bad guy who's completely innocent? Also featuring the threat of the Owl! And Daredevil gains an unlikely new ally: the Black Tarantula! Plus: One of the most surprising endings in Daredevil's history! Collecting DAREDEVIL (1998) #106-119 and #500, DAREDEVIL ANNUAL (2007) #1, and DAREDEVIL: BLOOD OF THE TARANTULA.
Author
Ed Brubaker is one of the most acclaimed writers in comics, a multiple Eisner Award winner. Following fan-favorite runs on Scene of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved to Marvel. His Captain America relaunch, in which he controversially revived Bucky Barnes as the Winter Soldier, won over fans new and old, and his revisionist take on the history of Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig on Uncanny X-Men, Marvel’s flagship X-title. He and longtime artistic collaborator Michael Lark took up the baton on Daredevil after Brian Michael Bendis and Alex Maleev’s legendary run concluded, and Brubaker jump-started Immortal Iron Fist with co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint published Brubaker’s creator-owned Criminal and Incognito, and he has gone on to further success at Image Comics with such titles as Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has written for TV’s Westworld and co-created the crime drama Too Old to Die Young.
Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham Central and the noir Scene of the Crime, as well as adding a timeworn elegance to the World War II flashbacks in Captain America. But his work with Brubaker on Daredevil set new highs — not only for their collaborative efforts, but for the narrative tapestry of Marvel’s Man Without Fear.
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