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My Annihilation

Translated by Sam Bett
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Hardcover
$25.95 US
5.76"W x 8.54"H x 1"D   (14.6 x 21.7 x 2.5 cm) | 15 oz (420 g) | 32 per carton
On sale Jan 11, 2022 | 264 Pages | 978-1-64129-272-6
| Grades 9-12
Sales rights: World
What transforms a person into a killer? Can it be something as small as a suggestion?

Turn this page, and you may forfeit your entire life.

With My Annihilation, Fuminori Nakamura, master of literary noir, has constructed a puzzle box of a narrative in the form of a confessional diary that implicates its reader in a heinous crime.

Delving relentlessly into the darkest corners of human consciousness, My Annihilation interrogates the unspeakable thoughts all humans share that can be monstrous when brought to life, revealing with disturbing honesty the psychological motives of a killer.
1


A cramped room in a rundown mountain lodge, and on the desk a manuscript, left open to page one, as if it had been waiting here for ages to be read.
     The only other piece of furniture a simple bed. The wood floor creaked with every step. The slight breeze was enough to set the thin glass of the tired window rattling.     My thoughts went to the various forms of identification in my bag. An insurance card, a certificate of residence, even a pension booklet, all under the name Ryodai Kozuka. Born in 1977, he was two years older than me. Japanese standards for applying for IDs are a joke. None of these cards had a photograph of me, but I could use them to apply for a passport that did. Trading places with Ryodai Kozuka.
     I looked at the text of the pages. The paper was old, bound simply with a clip. This manuscript had to have been written by Ryodai Kozuka. An account, or even the life story, of the man whose place I was about to take.
     A white suitcase stood in the corner of the room. My heart beat a little faster. I hadn’t brought that suitcase here. That must be where it was. Kozuka’s body. Trees danced outside the window, as if to tell me of the sinister nature of this place. But I had understood immediately what to do. Bury that suitcase in the forest, and this would all be over.
     “Turn this page, and you may give up your entire life.” Or so the first page said. But I had no intention of giving my old life up. He might have left behind unfinished business, but it was no business of mine. All I wanted was his identity.
     The light from the scrawny desk lamp cast an orange glow over the dust. I lit a cigarette and turned the page of the shoddy manuscript.


*  
I guess it started with the funeral.
     A girl who lived nearby was kidnapped and discovered dead. The younger sister of one of my classmates. People sweating through their black funeral clothes milled awkwardly about. I was in the third grade, and watched these strangers dressed in black surround my classmate. His parents stood nearby, holding a portrait of the lost girl.
     They had apprehended an unemployed man in his thirties, who went on to testify to having lured the girl into his car and murdered her when she began to kick and scream. The man had a hulky build and wore ratty basketball shoes. I had seen him wandering around town several times, leaning a little forward as he walked.
     My classmate had told me that he never liked his sister, who happened to have a different father. I suppose he told me because I also had a sister I disliked who had a different father.
     When the hall had started to clear out, I went over to say something to him. My mouth dried up. My breath was shallow. The murder of the girl and the man they had arrested were plenty scary as it was, but what really terrified me was my classmate. I addressed him in a whisper. The range of lights decking the funeral hall transformed the tense figures of the strangers into shafts of shadow on the floor. The shadows overlapped, forming peculiar geometric shapes on the linoleum.
     “. . . What happened?”
     I had a feeling this was all because of him. That he had flaunted his pretty little sister in front of the giant man. A man without a job, left to nurse his dark side—or perhaps the dark side had expanded on its own—as he wandered miserably around town. Had my classmate dangled his sister at the man the way that you might tease a stray dog with a piece of meat?
     Back then I didn’t know the term existed, but I suspected this was what they call a perfect crime. Without dirtying his own hands, he had provoked this crazed, dangerous prowler to attack her. But now my classmate looked at me as if he didn’t understand, eyes bleary with tears. I realized my assumption had been wrong. My classmate’s parents patted his head, trying to reassure him. The line of strangers did the same. An ugly feeling welled up inside of me. It was a gross warmth, pulsing through my neck and cheeks. I stared at him in a daze, like I was jealous. Surrounded by the overlapping shafts of shadow.
     This goes without saying, but my current self is putting words into my own mouth at a  younger age. Back then, my mind was hazy. I was ashamed of my fantasies, but they refused to go away, as if possessed of their own will.
     That evening, I went back to my so-called home. When my sister saw me, she started crying and ran to Grandma—my stepfather’s mother, so we weren’t connected by blood. My sister said that I had hit her, claimed that I had lied about the funeral, that I’d been picking on her the entire time.
     Grandma calmed my sister down, saying, “Let Grammy take care of this.” Then it was the two of us. This time, though, she realized that my sister was lying. She had a long ruler, the color of clay. A stiff ruler that looked accustomed to its secondary function. I knew how to handle what was about to happen. She was barely going to tap me. All I had to do was scream like I was on fire, and Grandma would let up, skittish as she was. That ruler didn’t scare me nearly as much as the story of the murder, the giant man they had arrested, the murder of the little girl. Grandma set it down on the tatami and stared at me. Her left eye was cloudy and yellow. That eyelid sometimes twitched, a symptom of weak nerves.
     Grandma’s son was my sister’s father, but my mom gave birth to me before she ever met him.
      “I know you didn’t do it, but you’ve given her a scare. You understand?”
     How could I possibly understand? I’d never hit my sister once.
     Grandma wouldn’t back down. She loved my sister more than life itself. Her affection for my sister filled her nearly to the brim, so that her days were plagued by the conviction that a threat was always close at hand, a fear which manifested as a dizzying pain that tortured her. What started as love had devolved into a hysteria that she took out on others.
     Both of us knew my sister was on the other side of the door, waiting for me to take a whooping. I stared back at Grandma with a face that said that she could hit me if she wanted. I could take it. It would be okay. Just get it over with. When I looked at someone like this, with a sparkle in my eye, I always felt a warmth well up inside of me that was borderline enjoyable. She swung the ruler, slapping the tatami floor in front of me. We heard my sister scurry off. This only reinforced my understanding of how adults behaved.
     Grandma stood up, looking distraught, and frowned at me, the eyelid of her murky left eye twitching. Like she was asking me what I was doing in her house. Like I was ruining the world for her. To her, I was an intruder, standing in the way of what could have been a happy home. My existence is what made her eyelid twitch.
     Later that night, I left the room that had been chosen for me, hoping to sleep with my mom for the first time in years. I must have been horrified by what was happening in town, and scared enough of my own thoughts I needed comfort from her. Or maybe the murder had brought something up, a feeling that I wanted her to calm. The hallway was cold against my bare feet, as if refusing to warm up to me. If I told my mom my stomach hurt, I figured she would come back to my room.
     I stopped in front of the door because I heard a voice. It was Dad talking to Mom.
     “She cried again today though, right? What the hell? Why can’t they act like siblings and get along?”
     “I’m sorry. I tell them the same thing all the time.”
     “Look, this has become a problem. I’ve even got Ma pestering me about it. Come home from fighting at the office to a fight in my own house.”
     “I’m sorry.”
     “You do realize when you look at me like that, it’s like you’re blaming this on me. Is that what you think?”
     “I’m . . .”
     I heard Dad hit Mom. My heart sped up. This always happened. Every time I heard that sound, my legs went weak and all my muscles stiffened up.
     “. . . I’m not the kind of dad who beats his kids. Those guys are scum. But you, you’re all grown up. So tell me, why can’t they get along? Don’t you hate it when they fight? Why is everybody always fighting?”
     The sounds of Dad hitting Mom continued. Mom let out little shrieks. It was all that I could
do to stand in front of the door. The silver doorknob glimmered idly through the darkness. The
door was incredibly rickety and thin. Open it, and my entire life could transform in an instant.
Praise for My Annihilation

Esquire 50 Best Mysteries of All Time
An NPR Best Book of 2022
CrimeReads Best International Crime Fiction of 2022

A Sunday Times Best Thriller Book of 2022 (So Far)
CrimeReads Most Anticipated Books of 2022


“[My Annihilation] is a literary labyrinth of forking paths. Surgical memory erasure, subliminal messaging, sexual blackmail and suicide all feature in this bravura work, which evokes the feel of such diverse writers as Calvino, Highsmith, Kafka and Dick.”
—Tom Nolan, The Wall Street Journal

“Camus meets Chandler in Japan, via the hall-of-mirrors thriller My Annihilation . . . This is a book that doesn’t afford easy succor or any particular comfort at all. In Nakamura’s universe we are all damned, not by our sins so much (although those, as well) as by our ignorance. Who are we? What are we doing here? The answers to those questions are unavailable to us, but it doesn’t matter anyway. ‘Turn this page, and you may give up your life,’ indeed. For Nakamura, this is less a choice than an inevitability.”
—David L. Ulin, Los Angeles Times

“[A] lurid and intellectually ambitious new thriller . . . My Annihilation attempts to annihilate our sense-making capability, operating somewhat like the ECT machines beloved by his unsavory shrinks . . . Every time you think you grasp what’s going on, Nakamura reminds you that you are not in control here. Perhaps you are never in control.”
—The New York Times Book Review

“A haunting novel of ideas where secret agendas abound and narratives are wrapped inside each other, this sharp, labyrinthine tale is probably Fuminori Nakamura’s most cerebral novel to date . . . Dark and complex, sure, but also thrilling and endlessly entertaining.”
—NPR.org

“A dark novel that’s the literary equivalent of a puzzle box; an experimental, cerebral story in which questions reign supreme, secret agendas slither under everything, every narrator is unreliable, memory is shaky at best, and reality is a shifting thing that refuses to be pinned down.”
Esquire

“[A] bewildering jumble of texts, tropes and registers, mixing pulpy devices with psychopathological musings . . . [A] Dostoevskyan literary thriller.”
—John Dugdale, The Sunday Times

My Annihilation is an exploration of the psyche, how trauma shapes individuals, and how dark desires can easily turn people into murderers . . . A wildly entertaining narrative in which things like abuse, grief, murder, and vengeance are seen through the lens of psychoanalysis. Nakamura is a gifted storyteller, and this fast, slim, cerebral noir, beautifully translated by Sam Bett, is a great addition to his oeuvre.”
—Vol. 1 Brooklyn

“Nakamura’s philosophical brilliance shines through each page of his latest sadistic, genius thriller.”
—Asia Media International

“A tricky and taut work of literary noir that implicates the reader in a disturbing murder, [My Annihilation] might just be the antidote for anyone who’s addicted to pressing play on another true crime doc.”
Chicago Review of Books

“A disturbing and thoughtful novel, almost surreal at times . . . This book will make you think deeply about what a human personality actually is.”
New York Journal of Books

“[Nakamura] has made a career out of pushing the boundaries of existential horror, shining a light on the darkest shadows of humanity . . . My Annihilation is a compulsive read . . . This chilling psychological mystery about a violent crime promises not to disappoint. Expect anything but a happy ending.”
The Japan Times

“An anxiety-inducing horror/mystery tale not for the feint of heart.”
—Books and Bao

My Annihilation is one hell of a ride. From the first sentence—‘Turn this page, and you may forfeit your entire life’—Nakamura plays tricks on the reader, the narrator, and even the notion of existence itself. Perfect for those who like their noir obsessive and deeply philosophical.”
—CrimeReads

“If you like Japanese crime novels, psychological stories, revenge, that feeling of maybe nothing is as it seems, and want a quick read, this one is for you.”
—BookRiot

“A dark, psychological tale.”
—The A.V. Club

“[My Annihilation] dives deep to explore the inner workings of a murderer.”
—Crime Fiction Lover

“A thought-provoking picture, in Nakamura’s words, of ‘what it means to be human and what it means to exist in the world.’ Some true crime set in Japan might be the thing after this.”
—First Clue

“A shocking and darkly rich tale that will stay with you.”
—Tokyo Weekender

“My Annihilation is literally multi-layered, and these are peeled back at different times and in different ways to reveal (and obscure ...) more of the story . . . My Annihilation keeps readers on their toes, and guessing, and there are some very satisfying turns and reveals here . . .[A]n enjoyably constantly unsettling read.”
—The Complete Review

“Masterfully crafted suspense . . . My Annihilation is a terrifying and unpredictable work that is a must-read for any thriller fans.”
—International Examiner


“A work of dark brilliance.”
—BookReporter.com

“A jigsaw puzzle of a novel exploring themes of connection and consequence through personal identity and responsibility . . . The psychological thriller My Annihilation poses multiple philosophical questions during its roller coaster of a story–not a whodunnit, but a who-is-it.”
Foreword Reviews

“Nakamura is a gifted and highly imaginative writer. His characters and the shocking plot are bewildering and bizarre, with even the layout of the book supporting the dark, eerie theme . . . A profound, revelatory, and deeply moving examination of the human mind.”
Booklist

“The story becomes a maze of conflicting accounts, back and forth between manuscript and reader—black boxes within black boxes, memory and personality transient, even basic facts losing a foundation . . . [A] dark, elegant novel.”
Library Journal

“Nakamura expertly mixes a look into the criminal mind with a story of doomed love. This fever-dream of a novel will long linger in the reader’s memory.”
Publishers Weekly

“Searing . . . An unnerving tale that richly earns its title. By the last chapter, you won’t believe a word the narrator tells you.”
Kirkus Reviews

Praise for Fuminori Nakamura


Japan Objects' Best Japanese Authors of All Time

"A thriller in the same elevated sense as is Dostoevsky’s Crime and Punishment or Camus’s The Stranger . . . ​Nature versus nurture, free will versus fate: Such are the themes that flicker almost subliminally through this shocking narrative, which also emits echoes of Poe and Mishima."
The Wall Street Journal

"A suspenseful study of obsession. . . Love, even illicit love, has a way of bringing out the best—or the worst—in a person."
The New York Times Book Review

"Nakamura's impassioned writing is part of a continuum that stretches from Dostoevsky to Camus to Ōe."
Los Angeles Times
Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Ōe Prize, Japan's largest literary award; the David L. Goodis Award for Noir Fiction; and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other novels include The Gun, The Kingdom, Evil and the Mask, The Boy in the Earth, Cult X, and Last Winter, We Parted. View titles by Fuminori Nakamura
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About

What transforms a person into a killer? Can it be something as small as a suggestion?

Turn this page, and you may forfeit your entire life.

With My Annihilation, Fuminori Nakamura, master of literary noir, has constructed a puzzle box of a narrative in the form of a confessional diary that implicates its reader in a heinous crime.

Delving relentlessly into the darkest corners of human consciousness, My Annihilation interrogates the unspeakable thoughts all humans share that can be monstrous when brought to life, revealing with disturbing honesty the psychological motives of a killer.

Excerpt

1


A cramped room in a rundown mountain lodge, and on the desk a manuscript, left open to page one, as if it had been waiting here for ages to be read.
     The only other piece of furniture a simple bed. The wood floor creaked with every step. The slight breeze was enough to set the thin glass of the tired window rattling.     My thoughts went to the various forms of identification in my bag. An insurance card, a certificate of residence, even a pension booklet, all under the name Ryodai Kozuka. Born in 1977, he was two years older than me. Japanese standards for applying for IDs are a joke. None of these cards had a photograph of me, but I could use them to apply for a passport that did. Trading places with Ryodai Kozuka.
     I looked at the text of the pages. The paper was old, bound simply with a clip. This manuscript had to have been written by Ryodai Kozuka. An account, or even the life story, of the man whose place I was about to take.
     A white suitcase stood in the corner of the room. My heart beat a little faster. I hadn’t brought that suitcase here. That must be where it was. Kozuka’s body. Trees danced outside the window, as if to tell me of the sinister nature of this place. But I had understood immediately what to do. Bury that suitcase in the forest, and this would all be over.
     “Turn this page, and you may give up your entire life.” Or so the first page said. But I had no intention of giving my old life up. He might have left behind unfinished business, but it was no business of mine. All I wanted was his identity.
     The light from the scrawny desk lamp cast an orange glow over the dust. I lit a cigarette and turned the page of the shoddy manuscript.


*  
I guess it started with the funeral.
     A girl who lived nearby was kidnapped and discovered dead. The younger sister of one of my classmates. People sweating through their black funeral clothes milled awkwardly about. I was in the third grade, and watched these strangers dressed in black surround my classmate. His parents stood nearby, holding a portrait of the lost girl.
     They had apprehended an unemployed man in his thirties, who went on to testify to having lured the girl into his car and murdered her when she began to kick and scream. The man had a hulky build and wore ratty basketball shoes. I had seen him wandering around town several times, leaning a little forward as he walked.
     My classmate had told me that he never liked his sister, who happened to have a different father. I suppose he told me because I also had a sister I disliked who had a different father.
     When the hall had started to clear out, I went over to say something to him. My mouth dried up. My breath was shallow. The murder of the girl and the man they had arrested were plenty scary as it was, but what really terrified me was my classmate. I addressed him in a whisper. The range of lights decking the funeral hall transformed the tense figures of the strangers into shafts of shadow on the floor. The shadows overlapped, forming peculiar geometric shapes on the linoleum.
     “. . . What happened?”
     I had a feeling this was all because of him. That he had flaunted his pretty little sister in front of the giant man. A man without a job, left to nurse his dark side—or perhaps the dark side had expanded on its own—as he wandered miserably around town. Had my classmate dangled his sister at the man the way that you might tease a stray dog with a piece of meat?
     Back then I didn’t know the term existed, but I suspected this was what they call a perfect crime. Without dirtying his own hands, he had provoked this crazed, dangerous prowler to attack her. But now my classmate looked at me as if he didn’t understand, eyes bleary with tears. I realized my assumption had been wrong. My classmate’s parents patted his head, trying to reassure him. The line of strangers did the same. An ugly feeling welled up inside of me. It was a gross warmth, pulsing through my neck and cheeks. I stared at him in a daze, like I was jealous. Surrounded by the overlapping shafts of shadow.
     This goes without saying, but my current self is putting words into my own mouth at a  younger age. Back then, my mind was hazy. I was ashamed of my fantasies, but they refused to go away, as if possessed of their own will.
     That evening, I went back to my so-called home. When my sister saw me, she started crying and ran to Grandma—my stepfather’s mother, so we weren’t connected by blood. My sister said that I had hit her, claimed that I had lied about the funeral, that I’d been picking on her the entire time.
     Grandma calmed my sister down, saying, “Let Grammy take care of this.” Then it was the two of us. This time, though, she realized that my sister was lying. She had a long ruler, the color of clay. A stiff ruler that looked accustomed to its secondary function. I knew how to handle what was about to happen. She was barely going to tap me. All I had to do was scream like I was on fire, and Grandma would let up, skittish as she was. That ruler didn’t scare me nearly as much as the story of the murder, the giant man they had arrested, the murder of the little girl. Grandma set it down on the tatami and stared at me. Her left eye was cloudy and yellow. That eyelid sometimes twitched, a symptom of weak nerves.
     Grandma’s son was my sister’s father, but my mom gave birth to me before she ever met him.
      “I know you didn’t do it, but you’ve given her a scare. You understand?”
     How could I possibly understand? I’d never hit my sister once.
     Grandma wouldn’t back down. She loved my sister more than life itself. Her affection for my sister filled her nearly to the brim, so that her days were plagued by the conviction that a threat was always close at hand, a fear which manifested as a dizzying pain that tortured her. What started as love had devolved into a hysteria that she took out on others.
     Both of us knew my sister was on the other side of the door, waiting for me to take a whooping. I stared back at Grandma with a face that said that she could hit me if she wanted. I could take it. It would be okay. Just get it over with. When I looked at someone like this, with a sparkle in my eye, I always felt a warmth well up inside of me that was borderline enjoyable. She swung the ruler, slapping the tatami floor in front of me. We heard my sister scurry off. This only reinforced my understanding of how adults behaved.
     Grandma stood up, looking distraught, and frowned at me, the eyelid of her murky left eye twitching. Like she was asking me what I was doing in her house. Like I was ruining the world for her. To her, I was an intruder, standing in the way of what could have been a happy home. My existence is what made her eyelid twitch.
     Later that night, I left the room that had been chosen for me, hoping to sleep with my mom for the first time in years. I must have been horrified by what was happening in town, and scared enough of my own thoughts I needed comfort from her. Or maybe the murder had brought something up, a feeling that I wanted her to calm. The hallway was cold against my bare feet, as if refusing to warm up to me. If I told my mom my stomach hurt, I figured she would come back to my room.
     I stopped in front of the door because I heard a voice. It was Dad talking to Mom.
     “She cried again today though, right? What the hell? Why can’t they act like siblings and get along?”
     “I’m sorry. I tell them the same thing all the time.”
     “Look, this has become a problem. I’ve even got Ma pestering me about it. Come home from fighting at the office to a fight in my own house.”
     “I’m sorry.”
     “You do realize when you look at me like that, it’s like you’re blaming this on me. Is that what you think?”
     “I’m . . .”
     I heard Dad hit Mom. My heart sped up. This always happened. Every time I heard that sound, my legs went weak and all my muscles stiffened up.
     “. . . I’m not the kind of dad who beats his kids. Those guys are scum. But you, you’re all grown up. So tell me, why can’t they get along? Don’t you hate it when they fight? Why is everybody always fighting?”
     The sounds of Dad hitting Mom continued. Mom let out little shrieks. It was all that I could
do to stand in front of the door. The silver doorknob glimmered idly through the darkness. The
door was incredibly rickety and thin. Open it, and my entire life could transform in an instant.

Praise

Praise for My Annihilation

Esquire 50 Best Mysteries of All Time
An NPR Best Book of 2022
CrimeReads Best International Crime Fiction of 2022

A Sunday Times Best Thriller Book of 2022 (So Far)
CrimeReads Most Anticipated Books of 2022


“[My Annihilation] is a literary labyrinth of forking paths. Surgical memory erasure, subliminal messaging, sexual blackmail and suicide all feature in this bravura work, which evokes the feel of such diverse writers as Calvino, Highsmith, Kafka and Dick.”
—Tom Nolan, The Wall Street Journal

“Camus meets Chandler in Japan, via the hall-of-mirrors thriller My Annihilation . . . This is a book that doesn’t afford easy succor or any particular comfort at all. In Nakamura’s universe we are all damned, not by our sins so much (although those, as well) as by our ignorance. Who are we? What are we doing here? The answers to those questions are unavailable to us, but it doesn’t matter anyway. ‘Turn this page, and you may give up your life,’ indeed. For Nakamura, this is less a choice than an inevitability.”
—David L. Ulin, Los Angeles Times

“[A] lurid and intellectually ambitious new thriller . . . My Annihilation attempts to annihilate our sense-making capability, operating somewhat like the ECT machines beloved by his unsavory shrinks . . . Every time you think you grasp what’s going on, Nakamura reminds you that you are not in control here. Perhaps you are never in control.”
—The New York Times Book Review

“A haunting novel of ideas where secret agendas abound and narratives are wrapped inside each other, this sharp, labyrinthine tale is probably Fuminori Nakamura’s most cerebral novel to date . . . Dark and complex, sure, but also thrilling and endlessly entertaining.”
—NPR.org

“A dark novel that’s the literary equivalent of a puzzle box; an experimental, cerebral story in which questions reign supreme, secret agendas slither under everything, every narrator is unreliable, memory is shaky at best, and reality is a shifting thing that refuses to be pinned down.”
Esquire

“[A] bewildering jumble of texts, tropes and registers, mixing pulpy devices with psychopathological musings . . . [A] Dostoevskyan literary thriller.”
—John Dugdale, The Sunday Times

My Annihilation is an exploration of the psyche, how trauma shapes individuals, and how dark desires can easily turn people into murderers . . . A wildly entertaining narrative in which things like abuse, grief, murder, and vengeance are seen through the lens of psychoanalysis. Nakamura is a gifted storyteller, and this fast, slim, cerebral noir, beautifully translated by Sam Bett, is a great addition to his oeuvre.”
—Vol. 1 Brooklyn

“Nakamura’s philosophical brilliance shines through each page of his latest sadistic, genius thriller.”
—Asia Media International

“A tricky and taut work of literary noir that implicates the reader in a disturbing murder, [My Annihilation] might just be the antidote for anyone who’s addicted to pressing play on another true crime doc.”
Chicago Review of Books

“A disturbing and thoughtful novel, almost surreal at times . . . This book will make you think deeply about what a human personality actually is.”
New York Journal of Books

“[Nakamura] has made a career out of pushing the boundaries of existential horror, shining a light on the darkest shadows of humanity . . . My Annihilation is a compulsive read . . . This chilling psychological mystery about a violent crime promises not to disappoint. Expect anything but a happy ending.”
The Japan Times

“An anxiety-inducing horror/mystery tale not for the feint of heart.”
—Books and Bao

My Annihilation is one hell of a ride. From the first sentence—‘Turn this page, and you may forfeit your entire life’—Nakamura plays tricks on the reader, the narrator, and even the notion of existence itself. Perfect for those who like their noir obsessive and deeply philosophical.”
—CrimeReads

“If you like Japanese crime novels, psychological stories, revenge, that feeling of maybe nothing is as it seems, and want a quick read, this one is for you.”
—BookRiot

“A dark, psychological tale.”
—The A.V. Club

“[My Annihilation] dives deep to explore the inner workings of a murderer.”
—Crime Fiction Lover

“A thought-provoking picture, in Nakamura’s words, of ‘what it means to be human and what it means to exist in the world.’ Some true crime set in Japan might be the thing after this.”
—First Clue

“A shocking and darkly rich tale that will stay with you.”
—Tokyo Weekender

“My Annihilation is literally multi-layered, and these are peeled back at different times and in different ways to reveal (and obscure ...) more of the story . . . My Annihilation keeps readers on their toes, and guessing, and there are some very satisfying turns and reveals here . . .[A]n enjoyably constantly unsettling read.”
—The Complete Review

“Masterfully crafted suspense . . . My Annihilation is a terrifying and unpredictable work that is a must-read for any thriller fans.”
—International Examiner


“A work of dark brilliance.”
—BookReporter.com

“A jigsaw puzzle of a novel exploring themes of connection and consequence through personal identity and responsibility . . . The psychological thriller My Annihilation poses multiple philosophical questions during its roller coaster of a story–not a whodunnit, but a who-is-it.”
Foreword Reviews

“Nakamura is a gifted and highly imaginative writer. His characters and the shocking plot are bewildering and bizarre, with even the layout of the book supporting the dark, eerie theme . . . A profound, revelatory, and deeply moving examination of the human mind.”
Booklist

“The story becomes a maze of conflicting accounts, back and forth between manuscript and reader—black boxes within black boxes, memory and personality transient, even basic facts losing a foundation . . . [A] dark, elegant novel.”
Library Journal

“Nakamura expertly mixes a look into the criminal mind with a story of doomed love. This fever-dream of a novel will long linger in the reader’s memory.”
Publishers Weekly

“Searing . . . An unnerving tale that richly earns its title. By the last chapter, you won’t believe a word the narrator tells you.”
Kirkus Reviews

Praise for Fuminori Nakamura


Japan Objects' Best Japanese Authors of All Time

"A thriller in the same elevated sense as is Dostoevsky’s Crime and Punishment or Camus’s The Stranger . . . ​Nature versus nurture, free will versus fate: Such are the themes that flicker almost subliminally through this shocking narrative, which also emits echoes of Poe and Mishima."
The Wall Street Journal

"A suspenseful study of obsession. . . Love, even illicit love, has a way of bringing out the best—or the worst—in a person."
The New York Times Book Review

"Nakamura's impassioned writing is part of a continuum that stretches from Dostoevsky to Camus to Ōe."
Los Angeles Times

Author

Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Ōe Prize, Japan's largest literary award; the David L. Goodis Award for Noir Fiction; and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other novels include The Gun, The Kingdom, Evil and the Mask, The Boy in the Earth, Cult X, and Last Winter, We Parted. View titles by Fuminori Nakamura

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