Close Modal

Avalon

A novel

Author Nell Zink
Look inside
Paperback
$17.00 US
5.17"W x 7.98"H x 0.67"D   (13.1 x 20.3 x 1.7 cm) | 8 oz (227 g) | 24 per carton
On sale Mar 14, 2023 | 224 Pages | 978-0-593-46815-9
| Grades 9-12 + AP/IB
Sales rights: US, Canada, Open Mkt
A NEW YORK TIMES BEST BOOK OF THE YEAR A profound and singular story about a young woman searching for her place in the world, from one of America’s most original voices—the irresistible story of one teenager’s reckoning with society at large and her search for a personal utopia.

“Effulgent and clever.... What fun.” —The New York Times

Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family.
 
And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.
 
Exceedingly rich, ecstatically dark, and delivered with masterful humor, Avalon is a poignant portrait of a young woman who, against all odds, is determined to find her place in the world and find clarity in its remote corners.
I lay on my backpack, denying to myself that my arm was broken. The moon had made me think it was light enough to gambol down a mountain. The waterfall meadow, the tissue-paper leaves, the iceberg clouds and diamond rocks, the moon a puddle of dead frogs: looking down from the front steps, I had seen the world in shades of white. But it was black, a soft mix of hairlike grass and crumbly dirt that held me aloft, poised between Earth’s molten core and outer space, while I ran my fingers up and down my arm.

I sat upright. A smear of moonlight led to the Isle of Avalon. But there was no island, and my arm was fine. The more I kept probing around, the more okay it felt.

The night was warm. I took off my backpack and leaned back on my hands, looking up and out at the torn black firmament strewn with airplanes. The wind picked up and long grass tickled my face. I wondered whether my car would start. I heard a big dog snuffling, and Peter’s voice saying, “Whoa, slow down, Rabelais!”

He was coming closer. He had something more to say to me.

He stopped about ten feet behind me. I could hear by the scrabbling that he was holding the dog by its collar. He waited, but I could not look at him.

Softly he said, “Guess what? She called first and told me to go to hell.” He paused. “What a fucking disaster. I don’t know who told her, but now there’s nothing . . .” He paused. “Nothing to keep us apart but this damn dog.”

The stars blurred with inexpressible happiness. Why would they do that? Is there any possible ethical justification?

*

Avalon
means “place with apples,” the healthy food that grows on trees. If you take good care of apples, they stay fresh all year. That’s why Arthur was taken to Avalon to heal his wounds.
On Easter Sunday 2005, when I was in fourth grade, my mother and common-law stepfather, Doug, took me there with my common-law stepbrother, Axel. The passenger ferry sailed from Long Beach, California, south of L.A. Whoever named the tourist-trap town on Santa Catalina Island “Avalon” presumably hoped to benefit from the marketing cachet of King Arthur while evoking such additional mythical Western island paradises as Tír na nÓg, Emain Ablach, and Atlantis. “Avalon’s where Arthur lives,” my mother shouted, pointing at it and adding, “He’s not real.” Her world had a real-life king, the Dalai Lama. The ship plowed through low swells, steady as a train. Tormented seagulls tormented my ears with cries of torment, demanding French fries I did not have and would not have wanted to give up. Walleyed, impassive flying fish spoke their silent greetings—patently magical beings, stiff and papery as they outpaced the ship, Arthur’s scaly heralds.

In Avalon, we rode in a glass-bottomed boat and saw wild goldfish. Then we ate burgers from an open-air stand. I was having a phase where I only wanted the patty with nothing on it, so Axel ate my bun. Catalina also has bison and antelopes, but we never set foot past the harbor.

Not long after our trip, my mother moved to a Tibetan Buddhist monastery, leaving me alone with Doug and his family. I still have the books she left behind: The Once and Future King. The Crystal Cave. The High King. She also left a bunch of Tolkien, but Doug sold it.

*

I have trouble recounting my childhood in chronological order. It appears in fragments, like a cored and sectioned apple. Put it back together, and the interior disappears. My earliest firsthand memory is of the soft feel of the long rectangle of dust behind an inch-thick steel plate—the kind they use to cover holes during road construction, about four feet on a side, with two round holes so a crane can pick it up— that leans against the cinder-block wall of a fertilizer shed at Bourdon Farms. The strange hush back there, the oblique light, the sharp odor. Under my pinkish-yellowish right hand, the littering of cement and rust untouched by irrigation or rain. I know I was almost a baby, because the steel plate is still there and the space behind it is tiny. Was I playing, or hiding, or both? I have no idea. The preponderance of my information is secondhand.

*

The Hendersons of Torrance, California, run a business that has been passed down through generations. Their house is filled with clan memorabilia, and so is the yard. A historic freezer, door still attached, contains a mildewed baseball bat decorated with Aztec temple scenes in a combination of wood-burning and enamel paint. A shallow well run dry contains a broken rocking chair with a handworked needlepoint seat. Doug once tried to use it as a sled on mud after a rain. It worked enough to try once, he told me, and then he threw it in the well. In childhood I turned the crisp black pages of green photo albums, recognizing our front porch behind a white-haired man at the wheel of a familiar 1920 Model T Ford. Long decommissioned, it stank of chickenshit. There had been no chickens in my lifetime.

The property is six-plus acres under the high-tension lines that run from La Fresa down to Redondo Beach. It stretches from road to ravine to road, with fences maintained by the power company, the perimeter traced by a dirt-bike trail where Grandpa Larry once ran races with his biker-barfly best friends. The business is a plant nursery specializing in exotic imports and topiary. In 1978, California Proposition 13 limited local property taxes to one percent of a home’s 1976 assessment. Moves, additions, and new construction triggered punishing reassessments. To maintain conspicuous consumption while living in the same modest houses for fifty years, rich people took up gardening. That was where Bourdon Farms came in.

Whether anything other than tropical plants ever arrives in those shipping containers bound to the port of Long Beach, and whether the Hendersons’ motorcycling friends have anything to do with distributing it, I do not know. I was never considered a member of the family unless they wanted something from me.

As with many family businesses, the key to the enterprise’s viability is unpaid labor by women, children, and recent immigrants in need of a place to lie down. At best, gray market; more likely, black. But revenuers do not fuck with the Hendersons. It would take the FBI, and it would take years. A simple search would turn up nothing. Nobody keeps the books or deposits money in the bank. They would apologize to the feds for knowing nothing (they reject federal authority on principle) and refer them to their imaginary absentee employer, Mr. Bourdon.

The land is on California’s statewide property inventory. I know that much. I figured it out using the internet at my high school—that the land belongs to the state. I asked Doug about it. He told me that Great-Great-Grandpa Allan’s ranch stretched for miles, all the way to the Madrona wetlands, where he watered his cattle. The state condemned it by eminent domain to build the city of Torrance, compensating his heirs with an exemption from all applicable law in perpetuity. “That’s why we fly the flag of the California Republic,” he explained, refer-ring to the state flag with its grizzly bear and red star. “It’s the one place left where a man can stand tall.”

The house is an Appalachian-style Cape Cod with vinyl siding and a tin roof, hunched on brick pillars over a low crawl space. Except for the TVs, which are always state-of-the-art, the furniture is an unchanging assortment of beat-up antiques, compounding the difficulty of sorting memories into epochs without using my own size as a reference.

Grandpa Larry occupied the master bedroom. At age two and a half I switched from sharing an upstairs room with Mom and Doug to sharing one with Axel. When I was six, I took over the unheated lean-to, which reeked of mice, outside what was once the back door. The lean-to had been added before the vinyl siding was put on, so my walls were made of pine and I could use thumbtacks to post pictures cut out of magazines. I had two doors and a tiny window that could not be opened.
A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, Vulture

“Effulgent and clever . . . A zone of mirth and meaning. What fun.”
—Molly Young, The New York Times

“Well-observed, archly funny . . . Zink is a brilliant creator of character, setting and, for lack of a better word, vibe, and there is much pleasure to be found in the way she gets so many things so precisely right in this novel.”
—Samantha Schoech, San Francisco Chronicle

Avalon could be described as something of a Trojan horse: Its exterior has the appearance of a classic bildungsroman, but it contains a wry and biting critique of social mobility, labor exploitation, and creative work in Southern California . . . Zink’s California has some resonances with Joan Didion’s, chock-full of unsettling tensions that are difficult to unravel . . . [Zink paints] a rather authentic image of Southern California, one that elucidates how—not only there, but particularly there—financial and cultural capital have become so intertwined that someone without the former can’t reasonably have access to the latter . . . Perhaps the best way to understand the book is not as a portrait of the artist, but as a playbook for how to be one.”
— Alana Pockros, The Nation

Avalon rekindles much of what made The Wallcreeper a standout . . . Zink has composed another successful foray into a critique of the patriarchy relying on her distinctive voice and style to carry the novel.”
—Ian MacAllen, The Chicago Review of Books
 
“Zink is a fearless satirist . . . Life steams ahead whether a person wants it to or not, and the mystery at work in Avalon is whether Bran is paranoid enough to realize that. Zink answers that question with her usual cunning, and it’s no spoiler to note that the final page of the novel will send readers scrambling back to its first.”
—Jake Cline, The Washington Post

“[Zink] allows a remarkable tenderness to permeate the narrative, without compromising on her characteristic humor and predilection for the American idiom. The result is delightfully refreshing . . . In the end, style and execution of that style are the skills with which the player wins the game, and Zink’s knack for voice here is delicious.”
—Huda Awan, Los Angeles Review of Books

“Fun to read . . . Zink lovingly lampoons the way that teenagers bumble toward identity and character . . . A light-footed Cinderella story that documents a young woman's rise from a wretched existence in stylish, witty fashion”
—Patrick Condon, Minneapolis Star Tribune


“Zink has a gift for crafting elegant sentences that reward rereading . . . The ending of the novel is Zink at her best: clever and biting, and refreshingly unforced.”
—Michael Schaub, The Boston Globe

Avalon contains delights . . . [The novel’s] discussions [are] lively and entertaining . . . [Zink’s] customary lunacy is on display again in Avalon.”
—Sam Sacks, The Wall Street Journal


“Incredibly pleasing to see a writer this intelligent keep the focus of her gaze this tight . . . There are also long stretches of satisfying narrative, of humanity and pain . . . The concrete descriptions of California are continually stunning and add a further layer of life . . . [Avalon] ended up, for me, feeling like art.”
—Lynn Steger Strong, Los Angeles Times

“Vivid and thorough—persistent, even, in its whimsy . . . Zink writes, in places, with almost cinematic vividness, and follows Bran’s evolution with an impressive commitment to realizing her experiences on the page.”
—Claire Messud, Harper’s


“Zink delves into class, art, and American culture in a characteristically witty bildungsroman . . . Even more impactful than the intellectual ballistics is the tortured romance story. The style is all Zink’s own, and she’s as brilliant as ever here.”
Publishers Weekly, starred
© Francesca Torricelli
NELL ZINK left Southern California for eastern Virginia in 1972, aged eight. After completing a B.A. in philosophy at the College of William and Mary, she worked mostly as a secretary, with stints in masonry, technical writing, and translating. In 2000, she moved to Tübingen, Germany, and now lives near Berlin. Her books include The Wallcreeper, Mislaid, Private NovelistNicotine, and Doxology, and her writing has appeared in n+1Granta, and Harper’s Magazine. View titles by Nell Zink
Available for sale exclusive:
•     Canada
•     Guam
•     Minor Outl.Ins.
•     North Mariana
•     Philippines
•     Puerto Rico
•     Samoa,American
•     US Virgin Is.
•     USA

Available for sale non-exclusive:
•     Afghanistan
•     Aland Islands
•     Albania
•     Algeria
•     Andorra
•     Angola
•     Anguilla
•     Antarctica
•     Argentina
•     Armenia
•     Aruba
•     Austria
•     Azerbaijan
•     Bahrain
•     Belarus
•     Belgium
•     Benin
•     Bhutan
•     Bolivia
•     Bonaire, Saba
•     Bosnia Herzeg.
•     Bouvet Island
•     Brazil
•     Bulgaria
•     Burkina Faso
•     Burundi
•     Cambodia
•     Cameroon
•     Cape Verde
•     Centr.Afr.Rep.
•     Chad
•     Chile
•     China
•     Colombia
•     Comoro Is.
•     Congo
•     Cook Islands
•     Costa Rica
•     Croatia
•     Cuba
•     Curacao
•     Czech Republic
•     Dem. Rep. Congo
•     Denmark
•     Djibouti
•     Dominican Rep.
•     Ecuador
•     Egypt
•     El Salvador
•     Equatorial Gui.
•     Eritrea
•     Estonia
•     Ethiopia
•     Faroe Islands
•     Finland
•     France
•     Fren.Polynesia
•     French Guinea
•     Gabon
•     Georgia
•     Germany
•     Greece
•     Greenland
•     Guadeloupe
•     Guatemala
•     Guinea Republic
•     Guinea-Bissau
•     Haiti
•     Heard/McDon.Isl
•     Honduras
•     Hong Kong
•     Hungary
•     Iceland
•     Indonesia
•     Iran
•     Iraq
•     Israel
•     Italy
•     Ivory Coast
•     Japan
•     Jordan
•     Kazakhstan
•     Kuwait
•     Kyrgyzstan
•     Laos
•     Latvia
•     Lebanon
•     Liberia
•     Libya
•     Liechtenstein
•     Lithuania
•     Luxembourg
•     Macau
•     Macedonia
•     Madagascar
•     Maldives
•     Mali
•     Marshall island
•     Martinique
•     Mauritania
•     Mayotte
•     Mexico
•     Micronesia
•     Moldavia
•     Monaco
•     Mongolia
•     Montenegro
•     Morocco
•     Myanmar
•     Nepal
•     Netherlands
•     New Caledonia
•     Nicaragua
•     Niger
•     Niue
•     Norfolk Island
•     North Korea
•     Norway
•     Oman
•     Palau
•     Palestinian Ter
•     Panama
•     Paraguay
•     Peru
•     Poland
•     Portugal
•     Qatar
•     Reunion Island
•     Romania
•     Russian Fed.
•     Rwanda
•     Saint Martin
•     San Marino
•     SaoTome Princip
•     Saudi Arabia
•     Senegal
•     Serbia
•     Sint Maarten
•     Slovakia
•     Slovenia
•     South Korea
•     South Sudan
•     Spain
•     St Barthelemy
•     St.Pier,Miquel.
•     Sth Terr. Franc
•     Sudan
•     Suriname
•     Svalbard
•     Sweden
•     Switzerland
•     Syria
•     Tadschikistan
•     Taiwan
•     Thailand
•     Timor-Leste
•     Togo
•     Tokelau Islands
•     Tunisia
•     Turkey
•     Turkmenistan
•     Ukraine
•     Unit.Arab Emir.
•     Uruguay
•     Uzbekistan
•     Vatican City
•     Venezuela
•     Vietnam
•     Wallis,Futuna
•     West Saharan
•     Western Samoa
•     Yemen

Not available for sale:
•     Antigua/Barbuda
•     Australia
•     Bahamas
•     Bangladesh
•     Barbados
•     Belize
•     Bermuda
•     Botswana
•     Brit.Ind.Oc.Ter
•     Brit.Virgin Is.
•     Brunei
•     Cayman Islands
•     Christmas Islnd
•     Cocos Islands
•     Cyprus
•     Dominica
•     Falkland Islnds
•     Fiji
•     Gambia
•     Ghana
•     Gibraltar
•     Grenada
•     Guernsey
•     Guyana
•     India
•     Ireland
•     Isle of Man
•     Jamaica
•     Jersey
•     Kenya
•     Kiribati
•     Lesotho
•     Malawi
•     Malaysia
•     Malta
•     Mauritius
•     Montserrat
•     Mozambique
•     Namibia
•     Nauru
•     New Zealand
•     Nigeria
•     Pakistan
•     PapuaNewGuinea
•     Pitcairn Islnds
•     S. Sandwich Ins
•     Seychelles
•     Sierra Leone
•     Singapore
•     Solomon Islands
•     Somalia
•     South Africa
•     Sri Lanka
•     St. Helena
•     St. Lucia
•     St. Vincent
•     St.Chr.,Nevis
•     Swaziland
•     Tanzania
•     Tonga
•     Trinidad,Tobago
•     Turks&Caicos Is
•     Tuvalu
•     Uganda
•     United Kingdom
•     Vanuatu
•     Zambia
•     Zimbabwe

About

A NEW YORK TIMES BEST BOOK OF THE YEAR A profound and singular story about a young woman searching for her place in the world, from one of America’s most original voices—the irresistible story of one teenager’s reckoning with society at large and her search for a personal utopia.

“Effulgent and clever.... What fun.” —The New York Times

Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family.
 
And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.
 
Exceedingly rich, ecstatically dark, and delivered with masterful humor, Avalon is a poignant portrait of a young woman who, against all odds, is determined to find her place in the world and find clarity in its remote corners.

Excerpt

I lay on my backpack, denying to myself that my arm was broken. The moon had made me think it was light enough to gambol down a mountain. The waterfall meadow, the tissue-paper leaves, the iceberg clouds and diamond rocks, the moon a puddle of dead frogs: looking down from the front steps, I had seen the world in shades of white. But it was black, a soft mix of hairlike grass and crumbly dirt that held me aloft, poised between Earth’s molten core and outer space, while I ran my fingers up and down my arm.

I sat upright. A smear of moonlight led to the Isle of Avalon. But there was no island, and my arm was fine. The more I kept probing around, the more okay it felt.

The night was warm. I took off my backpack and leaned back on my hands, looking up and out at the torn black firmament strewn with airplanes. The wind picked up and long grass tickled my face. I wondered whether my car would start. I heard a big dog snuffling, and Peter’s voice saying, “Whoa, slow down, Rabelais!”

He was coming closer. He had something more to say to me.

He stopped about ten feet behind me. I could hear by the scrabbling that he was holding the dog by its collar. He waited, but I could not look at him.

Softly he said, “Guess what? She called first and told me to go to hell.” He paused. “What a fucking disaster. I don’t know who told her, but now there’s nothing . . .” He paused. “Nothing to keep us apart but this damn dog.”

The stars blurred with inexpressible happiness. Why would they do that? Is there any possible ethical justification?

*

Avalon
means “place with apples,” the healthy food that grows on trees. If you take good care of apples, they stay fresh all year. That’s why Arthur was taken to Avalon to heal his wounds.
On Easter Sunday 2005, when I was in fourth grade, my mother and common-law stepfather, Doug, took me there with my common-law stepbrother, Axel. The passenger ferry sailed from Long Beach, California, south of L.A. Whoever named the tourist-trap town on Santa Catalina Island “Avalon” presumably hoped to benefit from the marketing cachet of King Arthur while evoking such additional mythical Western island paradises as Tír na nÓg, Emain Ablach, and Atlantis. “Avalon’s where Arthur lives,” my mother shouted, pointing at it and adding, “He’s not real.” Her world had a real-life king, the Dalai Lama. The ship plowed through low swells, steady as a train. Tormented seagulls tormented my ears with cries of torment, demanding French fries I did not have and would not have wanted to give up. Walleyed, impassive flying fish spoke their silent greetings—patently magical beings, stiff and papery as they outpaced the ship, Arthur’s scaly heralds.

In Avalon, we rode in a glass-bottomed boat and saw wild goldfish. Then we ate burgers from an open-air stand. I was having a phase where I only wanted the patty with nothing on it, so Axel ate my bun. Catalina also has bison and antelopes, but we never set foot past the harbor.

Not long after our trip, my mother moved to a Tibetan Buddhist monastery, leaving me alone with Doug and his family. I still have the books she left behind: The Once and Future King. The Crystal Cave. The High King. She also left a bunch of Tolkien, but Doug sold it.

*

I have trouble recounting my childhood in chronological order. It appears in fragments, like a cored and sectioned apple. Put it back together, and the interior disappears. My earliest firsthand memory is of the soft feel of the long rectangle of dust behind an inch-thick steel plate—the kind they use to cover holes during road construction, about four feet on a side, with two round holes so a crane can pick it up— that leans against the cinder-block wall of a fertilizer shed at Bourdon Farms. The strange hush back there, the oblique light, the sharp odor. Under my pinkish-yellowish right hand, the littering of cement and rust untouched by irrigation or rain. I know I was almost a baby, because the steel plate is still there and the space behind it is tiny. Was I playing, or hiding, or both? I have no idea. The preponderance of my information is secondhand.

*

The Hendersons of Torrance, California, run a business that has been passed down through generations. Their house is filled with clan memorabilia, and so is the yard. A historic freezer, door still attached, contains a mildewed baseball bat decorated with Aztec temple scenes in a combination of wood-burning and enamel paint. A shallow well run dry contains a broken rocking chair with a handworked needlepoint seat. Doug once tried to use it as a sled on mud after a rain. It worked enough to try once, he told me, and then he threw it in the well. In childhood I turned the crisp black pages of green photo albums, recognizing our front porch behind a white-haired man at the wheel of a familiar 1920 Model T Ford. Long decommissioned, it stank of chickenshit. There had been no chickens in my lifetime.

The property is six-plus acres under the high-tension lines that run from La Fresa down to Redondo Beach. It stretches from road to ravine to road, with fences maintained by the power company, the perimeter traced by a dirt-bike trail where Grandpa Larry once ran races with his biker-barfly best friends. The business is a plant nursery specializing in exotic imports and topiary. In 1978, California Proposition 13 limited local property taxes to one percent of a home’s 1976 assessment. Moves, additions, and new construction triggered punishing reassessments. To maintain conspicuous consumption while living in the same modest houses for fifty years, rich people took up gardening. That was where Bourdon Farms came in.

Whether anything other than tropical plants ever arrives in those shipping containers bound to the port of Long Beach, and whether the Hendersons’ motorcycling friends have anything to do with distributing it, I do not know. I was never considered a member of the family unless they wanted something from me.

As with many family businesses, the key to the enterprise’s viability is unpaid labor by women, children, and recent immigrants in need of a place to lie down. At best, gray market; more likely, black. But revenuers do not fuck with the Hendersons. It would take the FBI, and it would take years. A simple search would turn up nothing. Nobody keeps the books or deposits money in the bank. They would apologize to the feds for knowing nothing (they reject federal authority on principle) and refer them to their imaginary absentee employer, Mr. Bourdon.

The land is on California’s statewide property inventory. I know that much. I figured it out using the internet at my high school—that the land belongs to the state. I asked Doug about it. He told me that Great-Great-Grandpa Allan’s ranch stretched for miles, all the way to the Madrona wetlands, where he watered his cattle. The state condemned it by eminent domain to build the city of Torrance, compensating his heirs with an exemption from all applicable law in perpetuity. “That’s why we fly the flag of the California Republic,” he explained, refer-ring to the state flag with its grizzly bear and red star. “It’s the one place left where a man can stand tall.”

The house is an Appalachian-style Cape Cod with vinyl siding and a tin roof, hunched on brick pillars over a low crawl space. Except for the TVs, which are always state-of-the-art, the furniture is an unchanging assortment of beat-up antiques, compounding the difficulty of sorting memories into epochs without using my own size as a reference.

Grandpa Larry occupied the master bedroom. At age two and a half I switched from sharing an upstairs room with Mom and Doug to sharing one with Axel. When I was six, I took over the unheated lean-to, which reeked of mice, outside what was once the back door. The lean-to had been added before the vinyl siding was put on, so my walls were made of pine and I could use thumbtacks to post pictures cut out of magazines. I had two doors and a tiny window that could not be opened.

Praise

A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, Vulture

“Effulgent and clever . . . A zone of mirth and meaning. What fun.”
—Molly Young, The New York Times

“Well-observed, archly funny . . . Zink is a brilliant creator of character, setting and, for lack of a better word, vibe, and there is much pleasure to be found in the way she gets so many things so precisely right in this novel.”
—Samantha Schoech, San Francisco Chronicle

Avalon could be described as something of a Trojan horse: Its exterior has the appearance of a classic bildungsroman, but it contains a wry and biting critique of social mobility, labor exploitation, and creative work in Southern California . . . Zink’s California has some resonances with Joan Didion’s, chock-full of unsettling tensions that are difficult to unravel . . . [Zink paints] a rather authentic image of Southern California, one that elucidates how—not only there, but particularly there—financial and cultural capital have become so intertwined that someone without the former can’t reasonably have access to the latter . . . Perhaps the best way to understand the book is not as a portrait of the artist, but as a playbook for how to be one.”
— Alana Pockros, The Nation

Avalon rekindles much of what made The Wallcreeper a standout . . . Zink has composed another successful foray into a critique of the patriarchy relying on her distinctive voice and style to carry the novel.”
—Ian MacAllen, The Chicago Review of Books
 
“Zink is a fearless satirist . . . Life steams ahead whether a person wants it to or not, and the mystery at work in Avalon is whether Bran is paranoid enough to realize that. Zink answers that question with her usual cunning, and it’s no spoiler to note that the final page of the novel will send readers scrambling back to its first.”
—Jake Cline, The Washington Post

“[Zink] allows a remarkable tenderness to permeate the narrative, without compromising on her characteristic humor and predilection for the American idiom. The result is delightfully refreshing . . . In the end, style and execution of that style are the skills with which the player wins the game, and Zink’s knack for voice here is delicious.”
—Huda Awan, Los Angeles Review of Books

“Fun to read . . . Zink lovingly lampoons the way that teenagers bumble toward identity and character . . . A light-footed Cinderella story that documents a young woman's rise from a wretched existence in stylish, witty fashion”
—Patrick Condon, Minneapolis Star Tribune


“Zink has a gift for crafting elegant sentences that reward rereading . . . The ending of the novel is Zink at her best: clever and biting, and refreshingly unforced.”
—Michael Schaub, The Boston Globe

Avalon contains delights . . . [The novel’s] discussions [are] lively and entertaining . . . [Zink’s] customary lunacy is on display again in Avalon.”
—Sam Sacks, The Wall Street Journal


“Incredibly pleasing to see a writer this intelligent keep the focus of her gaze this tight . . . There are also long stretches of satisfying narrative, of humanity and pain . . . The concrete descriptions of California are continually stunning and add a further layer of life . . . [Avalon] ended up, for me, feeling like art.”
—Lynn Steger Strong, Los Angeles Times

“Vivid and thorough—persistent, even, in its whimsy . . . Zink writes, in places, with almost cinematic vividness, and follows Bran’s evolution with an impressive commitment to realizing her experiences on the page.”
—Claire Messud, Harper’s


“Zink delves into class, art, and American culture in a characteristically witty bildungsroman . . . Even more impactful than the intellectual ballistics is the tortured romance story. The style is all Zink’s own, and she’s as brilliant as ever here.”
Publishers Weekly, starred

Author

© Francesca Torricelli
NELL ZINK left Southern California for eastern Virginia in 1972, aged eight. After completing a B.A. in philosophy at the College of William and Mary, she worked mostly as a secretary, with stints in masonry, technical writing, and translating. In 2000, she moved to Tübingen, Germany, and now lives near Berlin. Her books include The Wallcreeper, Mislaid, Private NovelistNicotine, and Doxology, and her writing has appeared in n+1Granta, and Harper’s Magazine. View titles by Nell Zink

Rights

Available for sale exclusive:
•     Canada
•     Guam
•     Minor Outl.Ins.
•     North Mariana
•     Philippines
•     Puerto Rico
•     Samoa,American
•     US Virgin Is.
•     USA

Available for sale non-exclusive:
•     Afghanistan
•     Aland Islands
•     Albania
•     Algeria
•     Andorra
•     Angola
•     Anguilla
•     Antarctica
•     Argentina
•     Armenia
•     Aruba
•     Austria
•     Azerbaijan
•     Bahrain
•     Belarus
•     Belgium
•     Benin
•     Bhutan
•     Bolivia
•     Bonaire, Saba
•     Bosnia Herzeg.
•     Bouvet Island
•     Brazil
•     Bulgaria
•     Burkina Faso
•     Burundi
•     Cambodia
•     Cameroon
•     Cape Verde
•     Centr.Afr.Rep.
•     Chad
•     Chile
•     China
•     Colombia
•     Comoro Is.
•     Congo
•     Cook Islands
•     Costa Rica
•     Croatia
•     Cuba
•     Curacao
•     Czech Republic
•     Dem. Rep. Congo
•     Denmark
•     Djibouti
•     Dominican Rep.
•     Ecuador
•     Egypt
•     El Salvador
•     Equatorial Gui.
•     Eritrea
•     Estonia
•     Ethiopia
•     Faroe Islands
•     Finland
•     France
•     Fren.Polynesia
•     French Guinea
•     Gabon
•     Georgia
•     Germany
•     Greece
•     Greenland
•     Guadeloupe
•     Guatemala
•     Guinea Republic
•     Guinea-Bissau
•     Haiti
•     Heard/McDon.Isl
•     Honduras
•     Hong Kong
•     Hungary
•     Iceland
•     Indonesia
•     Iran
•     Iraq
•     Israel
•     Italy
•     Ivory Coast
•     Japan
•     Jordan
•     Kazakhstan
•     Kuwait
•     Kyrgyzstan
•     Laos
•     Latvia
•     Lebanon
•     Liberia
•     Libya
•     Liechtenstein
•     Lithuania
•     Luxembourg
•     Macau
•     Macedonia
•     Madagascar
•     Maldives
•     Mali
•     Marshall island
•     Martinique
•     Mauritania
•     Mayotte
•     Mexico
•     Micronesia
•     Moldavia
•     Monaco
•     Mongolia
•     Montenegro
•     Morocco
•     Myanmar
•     Nepal
•     Netherlands
•     New Caledonia
•     Nicaragua
•     Niger
•     Niue
•     Norfolk Island
•     North Korea
•     Norway
•     Oman
•     Palau
•     Palestinian Ter
•     Panama
•     Paraguay
•     Peru
•     Poland
•     Portugal
•     Qatar
•     Reunion Island
•     Romania
•     Russian Fed.
•     Rwanda
•     Saint Martin
•     San Marino
•     SaoTome Princip
•     Saudi Arabia
•     Senegal
•     Serbia
•     Sint Maarten
•     Slovakia
•     Slovenia
•     South Korea
•     South Sudan
•     Spain
•     St Barthelemy
•     St.Pier,Miquel.
•     Sth Terr. Franc
•     Sudan
•     Suriname
•     Svalbard
•     Sweden
•     Switzerland
•     Syria
•     Tadschikistan
•     Taiwan
•     Thailand
•     Timor-Leste
•     Togo
•     Tokelau Islands
•     Tunisia
•     Turkey
•     Turkmenistan
•     Ukraine
•     Unit.Arab Emir.
•     Uruguay
•     Uzbekistan
•     Vatican City
•     Venezuela
•     Vietnam
•     Wallis,Futuna
•     West Saharan
•     Western Samoa
•     Yemen

Not available for sale:
•     Antigua/Barbuda
•     Australia
•     Bahamas
•     Bangladesh
•     Barbados
•     Belize
•     Bermuda
•     Botswana
•     Brit.Ind.Oc.Ter
•     Brit.Virgin Is.
•     Brunei
•     Cayman Islands
•     Christmas Islnd
•     Cocos Islands
•     Cyprus
•     Dominica
•     Falkland Islnds
•     Fiji
•     Gambia
•     Ghana
•     Gibraltar
•     Grenada
•     Guernsey
•     Guyana
•     India
•     Ireland
•     Isle of Man
•     Jamaica
•     Jersey
•     Kenya
•     Kiribati
•     Lesotho
•     Malawi
•     Malaysia
•     Malta
•     Mauritius
•     Montserrat
•     Mozambique
•     Namibia
•     Nauru
•     New Zealand
•     Nigeria
•     Pakistan
•     PapuaNewGuinea
•     Pitcairn Islnds
•     S. Sandwich Ins
•     Seychelles
•     Sierra Leone
•     Singapore
•     Solomon Islands
•     Somalia
•     South Africa
•     Sri Lanka
•     St. Helena
•     St. Lucia
•     St. Vincent
•     St.Chr.,Nevis
•     Swaziland
•     Tanzania
•     Tonga
•     Trinidad,Tobago
•     Turks&Caicos Is
•     Tuvalu
•     Uganda
•     United Kingdom
•     Vanuatu
•     Zambia
•     Zimbabwe