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From Puritanism to Postmodernism

A History of American Literature

Author Malcolm Bradbury, Richard Ruland

Paperback

$20.00 US

Penguin Adult HC/TR | Penguin Books

5.09"W x 7.7"H x 1.02"D (12.9 x 19.6 x 2.6 cm) | 13 oz (374 g) | 40 per carton

On sale Dec 01, 1992 | 480 Pages | 978-0-14-014435-2

Sales rights: US, Canada, Open Mkt

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Nonfiction > Arts & Entertainment > Writing
Nonfiction > History > World History
Nonfiction > Literary Criticism

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From Modernist/Postmodernist perspective, leading critics Richard Ruland (American) and Malcolm Bradbury (British) address questions of literary and cultural nationalism. They demonstrate that since the seventeenth century, American writing has reflected the political and historical climate of its time and helped define America's cultural and social parameters. Above all, they argue that American literature has always been essentially "modern," illustrating this with a broad range of texts: from Poe and Melville to Fitzgerald and Pound, to Wallace Stevens, Gwendolyn Brooks, and Thomas Pynchon.

From Puritanism to Postmodernism pays homage to the luxuriance of American writing by tracing the creation of a national literature that retained its deep roots in European culture while striving to achieve cultural independence.

Malcolm Bradbury was a novelist, critic, television dramatist, and professor of American studies at the University of East Anglia, where he cofounded the first and most prestigious master’s program in creative writing in the United Kingdom. Some of his novels include Eating People Is Wrong, The History Man, and To the Hermitage. He also wrote a number of critical works, humor and satire, and adapted Kingsley Amis’s The Green Man and Stella Gibbons’s Cold Comfort Farm for television. He was knighted in 2000 and died in November of the same year. View titles by Malcolm Bradbury

Richard Ruland View titles by Richard Ruland

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Preface
Part I. The Literature of British America
1. The Puritan Legacy
2. Awakening and Enlightenment
Part II. From Colonial Outpost to Cultural Province
3. Revolution and (In)Dependence
4. American Naissance
5. Yea-saying and Nay-saying
Part III. Native and Cosmopolitan Crosscurrents: From Local Color to Realism and Naturalism
6. Secession and Loyalty
7. Muckrakers and Early Moderns
Part IV. Modernism in the American Grain
8. Outland Darts and Homemade Worlds
9. The Second Flowering
10. Radical Reassessments
11. Strange Realities, Adequate Fictions
Index

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