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Pretty Paper

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Hardcover
$23.00 US
5.5"W x 7.75"H x 0.89"D   (14.0 x 19.7 x 2.3 cm) | 16 oz (448 g) | 12 per carton
On sale Oct 25, 2016 | 304 Pages | 9780735211544
Sales rights: World
A perfect Christmas gift for music lovers, Pretty Paper is Willie Nelson’s inspiring Christmas fable, based on his holiday classic “Pretty Paper.”
 
More than fifty years ago, Willie Nelson’s beloved Christmas song “Pretty Paper” first hit the airwaves. And for all these years, Willie has wondered about the real-life Texas street vendor, selling wrappings and ribbons, who inspired his song. Who was this poor soul? What did his painful trials say about our loves, our hopes, our dreams in this holiday season—and in the rest of our lives?

It’s the early sixties and Willie Nelson is down and out, barely eking out a living as a singer-songwriter. The week before Christmas, he spots a legless man on a cart, selling wares in front of Leonard’s Department Store in Fort Worth, Texas. The humble figure, by the name of Vernon Clay, piques Willie’s curiosity, but Vernon is stubbornly private and—despite Willie’s charming queries—has no interest in telling his story. Willie is tenacious, though, and he eventually learns that Vernon is a fellow musician, a fine guitarist and singer.

When Vernon disappears, he leaves behind only a diary, which tells an epic tale of life-altering tragedies, broken hearts, and crooked record men, not to mention backroad honky-tonks, down-home cooking, and country songwriting genius. Deeply moved and spurred on by Vernon’s pages, Willie aims to give the man one last shot at redemption and a chance to embody the holiday spirit.
***This excerpt is from an advance uncorrected copy proof***

Copyright © 2016 Willie Nelson

HAPPY HOLIDAYS

 

It was a rough Christmas in a rough town. Back in the early 1960s, Fort Worth was still the Wild West. There was no shortage of honky-tonks. The city was a haven for hustlers who’d mastered the art of living outside the law. Gangsters controlled the bookie joints, the brothels and most of the nightspots. In the midst of all this, I was struggling to get my career off the ground. Actually “career” is too fancy a word. I was a just a broke-ass picker looking to make a living making music. Running every which way—haunting the beer joints that hid in the shadows of the stockyards, soliciting the club owners who ran the buckets of blood out on Jacksboro Highway—I was getting no- where fast. I did manage to get a gig deejaying on KCNC, but that didn’t last. Neither did my half-baked attempts to peddle Kirby vacuum cleaners and Encyclopedia Americanas. Proud to say, I was no good at convincing people—especially hard-working people— to buy stuff they didn’t need. What I needed was a break.

And a break meant a hit song. I didn’t care if I sang it or someone else did. If I found a bandleader who liked what I’d written, I’d sell my tune for the price of dinner. That’s how desperate I was. Yet in the midst of my desperation, I also saw that others were more desperate than me. Which is where this story begins.

A week before Christmas, I was determined to get into the holiday spirit. Wasn’t easy because my wife was singing the blues about bills we couldn’t pay. We were living in a cramped two-room apartment with our three little ones. Most nights I was gone, looking for places to play my music, and by the time I got home, the kids were up and my wife was off to her waitress job. On this particular morning, two days before Christmas, my mother-in-law was good enough to watch the children while I drove downtown for some last-minute shopping. But, as luck would have it, my beat-up Ford Fairlane wouldn’t start, the battery dead as a doornail. So I caught the bus.

I was freezing. The heater on the bus was busted, and my plaid wool jacket, which had seen better days, couldn’t keep me warm. But what the hell. I was happy because last night I’d found a barroom—Big Bill’s on Main Street near the slaughterhouses—where I could sing some of my songs. Folks liked what they heard and I wound up with twenty-five dollars’ worth of tips in my pocket, a minor miracle. It was just the sort of encouragement that I needed to keep going. So today I wasn’t bothered by the gray sky. Last night’s tips told me that beyond the gray, the sun was shining. Besides, cold can be exhilarating. Best of all, snow was in the forecast, meaning that my kids might get to enjoy their first white Christmas.

I got off at Houston Street in the middle of down- town. The sidewalks were crowded with shoppers, men in fedoras and long overcoats, women in furs, kids bundled up with scarves and mittens. The store windows were decorated with wreaths and poinsettias. I could see my breath in the frosty air. Already a few flakes had begun to fall. Everyone’s expectations were high. Everyone’s heart was full. A beautiful Christmas was just around the corner—a Christmas when,at least for a day, we could forget our troubles and enjoy simple fellowship with family and friends.

Up ahead was Leonard’s, the mammoth depart- ment store that took up six city blocks, the establish- ment that advertised ONE-STOP SHOPPING WITH MORE MERCHANDISE FOR LESS MONEY. During the holidays, Leonard’s was also famous for installing a Santa Claus monorail and an elaborate Toyland department. When it came to Christmas cheer, Leonard’s was the spot.

But then, all of a sudden, a few steps down from the store’s main entrance, I saw someone who stopped me in my tracks: A man, whose legs had been amputated above his knees, supporting himself on a large wooden board resting on four wheels. The board not only held the man, but an array of neatly arranged products that he was selling—wrapping paper, pencils and ribbons. In addition to the traditional Christmas colors of green and red, his merchandise also came in blue, orange, purple and yellow. He easily moved around the board, supporting himself with his long strong arms.

“Pretty paper!” he sang out in a strong and emotional voice, “pretty ribbons of blue . . . wrap your presents to your darling from you . . . pretty pencils to write ‘I love you.’”

He sang like he meant it. In fact, he sang like a singer. He sang in tune. Sadly, he also seemed to be singing in vain. I didn’t see a single person stop to buy his wares. And yet that didn’t stop his singing. I sensed that he sang to lift his spirits and stay warm. I stood about nine or ten feet away from him, off to one side, so he wouldn’t see me studying him.

What I saw was a man who looked to be roughly my age—in his early thirties—a handsome man with chestnut brown eyes and a brown beard covering his square-jawed face. He had a broad nose and thick eyebrows. He wore a black turtleneck sweater with big gaping holes. His blue jeans, that covered the stumps of his legs, were tattered. Despite his handicap, he projected a sense of confidence and rugged masculinity. As he sang his song peddling his wares, his eyes looked upward—above the crowds passing by, above Leonard’s Department Store, above the streetlights—into a sky filled with snowflakes growing fluffier by the minute. Some of the flakes landed on the man’s eyes, melting on his lids and giving the impression that he was crying.

Was he crying? Was he distraught that no one found the time to stop and inquire about him or his colorful merchandise? I wanted to stop. I wanted to ask how he came to be doing what he was doing. How had he lost his legs? His deep brown eyes, wet with snow, suggested some story. But like the others, I did not stop. The Christmas rush was on, and even though I was in no rush at all, I picked up the rhythm of the downtown shoppers. I hurried along. I left the man on the rolling wooden board and rushed into the store.

I bought perfume for my wife, candy for my mother-in-law, a model train for my son and dolls for my girls. When the sales clerk asked if I wanted them giftwrapped, without thinking I said, “Yes, please.” But then I changed my mind. I thought of the man selling pretty paper. I wasn’t much of a wrapper, but I could figure it out. This guy deserved a break, and buying his goods seemed like the right thing to do. After all, it was Christmas.

So with my unwrapped gifts, I left Leonard’s. Now the snow was coming down hard—a rare event in this part of Texas. The wind was kicking up a storm. The temperature had dipped down into single digits. It was hard to see, hard to walk against the howling wind. Folks were hanging on to light poles and the sides of buildings. Looking around, I couldn’t see my man. Where had he gone? Maybe he’d moved on. Battling the wind, I circled all the way around Leonard’s enormous complex. I went up and down the block two, three four times. Something told me I had to find him. But by now I was walking through a virtual blizzard.

I couldn’t look forever. He’d probably found shelter in some nearby coffee shop. Or maybe he actually went inside Leonard’s to wait out the storm. So I reentered the store where, for the next twenty minutes, I looked from one end to the other. But he was nowhere to be found. I gave up the search. Feeling a little guilty, I went to the clerks who had sold me my gifts and asked that they be wrapped. I was instructed to go the third-floor gift-wrap department. After waiting in line for twenty minutes, I asked the gift wrapper—a hefty middle-aged woman wearing a Santa’s cap—if she knew about the man who sold pretty paper, pen- cils and ribbons on the street outside the store.

“Oh, that bum,” she said condescendingly. “He’s nothing but a nuisance.”

“He didn’t seem like a bum,” I said. “He sounded like a singer.”

Busy making bows on the packages containing my daughters’ dolls, the wrapper didn’t respond. I’m not sure she heard what I said or, if she had, she didn’t think it was worth a reply.

I took the presents and, still looking for the man as I headed for the exit, left Leonard’s. Outside, the weather had worsened. With a shopping bag in each hand, I was barely able to fight my way through the wind to the bus stop. Still no peddler in sight. Fortunately the bus came along in a few minutes—this one was heated—and I took my seat and rode back home.

We had a nice Christmas. Big Bill’s made the difference. I worked there consistently through the holidays, meaning I could pay off some back bills and make peace—not to mention a little love—with my old lady. The kids loved their presents, my mother-in-law loved her chocolates and I thought if I could keep gigging and save a little money, maybe, just  maybe,  I could  make  that  move  to  Nashville,  where  I  might have better luck selling my songs.

Praise for Pretty Paper

“This is a touching, well-crafted, hard-knocks tale that earns its bittersweet ending; it stays with you like a mournful melody you can't quite shake.”—Jocelyn McClurg, USA Today

“Pretty Paper has an It's a Wonderful Life quality.”—David Martindale, The Dallas Morning News

“Always a fine songwriter and poet, Nelson now fictionalizes one of his songs....It reads like a chapter out of Nelson’s life.”—The Roanoke Times

“Willie Nelson has a gift for finding the beauty in the commonplace, and his song 'Pretty Paper' is a perfect example of the genius in his craft. A Christmas song that has been recorded by everyone from Roy Orbison to Chris Issak, it is a poignant holiday tale about a disabled vendor selling his wares on the street....Nelson tries to pay those who’ve inspired him back the best way he can -- by giving them the dignity of a great story.”—Sarah Lee, The Blaze

“Utterly charming and page-turning.”—Bob Ruggiero, Houston Press

“An inspiring, fictionalized account of the man behind the lyrics....Nelson spins a fast-paced story that is hard to put down.”—Glenn Dromgoole, Abilene Reporter-News

“Willie established long ago that he can conjure up a haunting two-minute tale in three-quarter time. But perhaps he should have been writing long-form feel-good fiction as well—because Pretty Paper is a good story well told...wholesome and heartfelt and rings true in every way...the reading experience will feel as if you’ve sat down with Willie Nelson in his tour bus and listened for a spell as he shared a homespun story from his adventure-filled life.”—David Martindale, The Fort Worth Star-Telegram

“Willie Nelson fans—you don’t have to go far to find these—will love it...smooth and insistent prose...in the manner that Willie would talk if he were just sitting down with you and telling you the story (and what a treat that would be).”—Larry Thornberry, The American Spectator

“A warm, witty holiday fable.”—Parade

“Willie Nelson, who has always told wonderful stories in song form, proves he can be just as effective in print narrative.”—Booklist

“This engaging holiday musical treat by a country music star will delight all readers, particularly Nelson’s fans.”—Library Journal
© Todd V. Wolfson
WILLIE NELSON is a music legend and national treasure with a six-decade career and over 200 albums. This iconic Texan is the creative genius behind the historic recordings of Red Headed Stranger, Crazy, and Stardust. Willie has earned countless awards and accolades as a musician, in addition to being a celebrated author, actor, and activist. He continues to thrive as a musical and cultural force, writing, singing, and playing with the wit and wisdom that comes from a life on the road. Learn more about his work on willienelson.com and follow him on Instagram at @willlienelsonofficial and on Twitter and Facebook at @willienelson. View titles by Willie Nelson
David Ritz has collaborated on books with everyone from Ray Charles to Aretha Franklin. View titles by David Ritz
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About

A perfect Christmas gift for music lovers, Pretty Paper is Willie Nelson’s inspiring Christmas fable, based on his holiday classic “Pretty Paper.”
 
More than fifty years ago, Willie Nelson’s beloved Christmas song “Pretty Paper” first hit the airwaves. And for all these years, Willie has wondered about the real-life Texas street vendor, selling wrappings and ribbons, who inspired his song. Who was this poor soul? What did his painful trials say about our loves, our hopes, our dreams in this holiday season—and in the rest of our lives?

It’s the early sixties and Willie Nelson is down and out, barely eking out a living as a singer-songwriter. The week before Christmas, he spots a legless man on a cart, selling wares in front of Leonard’s Department Store in Fort Worth, Texas. The humble figure, by the name of Vernon Clay, piques Willie’s curiosity, but Vernon is stubbornly private and—despite Willie’s charming queries—has no interest in telling his story. Willie is tenacious, though, and he eventually learns that Vernon is a fellow musician, a fine guitarist and singer.

When Vernon disappears, he leaves behind only a diary, which tells an epic tale of life-altering tragedies, broken hearts, and crooked record men, not to mention backroad honky-tonks, down-home cooking, and country songwriting genius. Deeply moved and spurred on by Vernon’s pages, Willie aims to give the man one last shot at redemption and a chance to embody the holiday spirit.

Excerpt

***This excerpt is from an advance uncorrected copy proof***

Copyright © 2016 Willie Nelson

HAPPY HOLIDAYS

 

It was a rough Christmas in a rough town. Back in the early 1960s, Fort Worth was still the Wild West. There was no shortage of honky-tonks. The city was a haven for hustlers who’d mastered the art of living outside the law. Gangsters controlled the bookie joints, the brothels and most of the nightspots. In the midst of all this, I was struggling to get my career off the ground. Actually “career” is too fancy a word. I was a just a broke-ass picker looking to make a living making music. Running every which way—haunting the beer joints that hid in the shadows of the stockyards, soliciting the club owners who ran the buckets of blood out on Jacksboro Highway—I was getting no- where fast. I did manage to get a gig deejaying on KCNC, but that didn’t last. Neither did my half-baked attempts to peddle Kirby vacuum cleaners and Encyclopedia Americanas. Proud to say, I was no good at convincing people—especially hard-working people— to buy stuff they didn’t need. What I needed was a break.

And a break meant a hit song. I didn’t care if I sang it or someone else did. If I found a bandleader who liked what I’d written, I’d sell my tune for the price of dinner. That’s how desperate I was. Yet in the midst of my desperation, I also saw that others were more desperate than me. Which is where this story begins.

A week before Christmas, I was determined to get into the holiday spirit. Wasn’t easy because my wife was singing the blues about bills we couldn’t pay. We were living in a cramped two-room apartment with our three little ones. Most nights I was gone, looking for places to play my music, and by the time I got home, the kids were up and my wife was off to her waitress job. On this particular morning, two days before Christmas, my mother-in-law was good enough to watch the children while I drove downtown for some last-minute shopping. But, as luck would have it, my beat-up Ford Fairlane wouldn’t start, the battery dead as a doornail. So I caught the bus.

I was freezing. The heater on the bus was busted, and my plaid wool jacket, which had seen better days, couldn’t keep me warm. But what the hell. I was happy because last night I’d found a barroom—Big Bill’s on Main Street near the slaughterhouses—where I could sing some of my songs. Folks liked what they heard and I wound up with twenty-five dollars’ worth of tips in my pocket, a minor miracle. It was just the sort of encouragement that I needed to keep going. So today I wasn’t bothered by the gray sky. Last night’s tips told me that beyond the gray, the sun was shining. Besides, cold can be exhilarating. Best of all, snow was in the forecast, meaning that my kids might get to enjoy their first white Christmas.

I got off at Houston Street in the middle of down- town. The sidewalks were crowded with shoppers, men in fedoras and long overcoats, women in furs, kids bundled up with scarves and mittens. The store windows were decorated with wreaths and poinsettias. I could see my breath in the frosty air. Already a few flakes had begun to fall. Everyone’s expectations were high. Everyone’s heart was full. A beautiful Christmas was just around the corner—a Christmas when,at least for a day, we could forget our troubles and enjoy simple fellowship with family and friends.

Up ahead was Leonard’s, the mammoth depart- ment store that took up six city blocks, the establish- ment that advertised ONE-STOP SHOPPING WITH MORE MERCHANDISE FOR LESS MONEY. During the holidays, Leonard’s was also famous for installing a Santa Claus monorail and an elaborate Toyland department. When it came to Christmas cheer, Leonard’s was the spot.

But then, all of a sudden, a few steps down from the store’s main entrance, I saw someone who stopped me in my tracks: A man, whose legs had been amputated above his knees, supporting himself on a large wooden board resting on four wheels. The board not only held the man, but an array of neatly arranged products that he was selling—wrapping paper, pencils and ribbons. In addition to the traditional Christmas colors of green and red, his merchandise also came in blue, orange, purple and yellow. He easily moved around the board, supporting himself with his long strong arms.

“Pretty paper!” he sang out in a strong and emotional voice, “pretty ribbons of blue . . . wrap your presents to your darling from you . . . pretty pencils to write ‘I love you.’”

He sang like he meant it. In fact, he sang like a singer. He sang in tune. Sadly, he also seemed to be singing in vain. I didn’t see a single person stop to buy his wares. And yet that didn’t stop his singing. I sensed that he sang to lift his spirits and stay warm. I stood about nine or ten feet away from him, off to one side, so he wouldn’t see me studying him.

What I saw was a man who looked to be roughly my age—in his early thirties—a handsome man with chestnut brown eyes and a brown beard covering his square-jawed face. He had a broad nose and thick eyebrows. He wore a black turtleneck sweater with big gaping holes. His blue jeans, that covered the stumps of his legs, were tattered. Despite his handicap, he projected a sense of confidence and rugged masculinity. As he sang his song peddling his wares, his eyes looked upward—above the crowds passing by, above Leonard’s Department Store, above the streetlights—into a sky filled with snowflakes growing fluffier by the minute. Some of the flakes landed on the man’s eyes, melting on his lids and giving the impression that he was crying.

Was he crying? Was he distraught that no one found the time to stop and inquire about him or his colorful merchandise? I wanted to stop. I wanted to ask how he came to be doing what he was doing. How had he lost his legs? His deep brown eyes, wet with snow, suggested some story. But like the others, I did not stop. The Christmas rush was on, and even though I was in no rush at all, I picked up the rhythm of the downtown shoppers. I hurried along. I left the man on the rolling wooden board and rushed into the store.

I bought perfume for my wife, candy for my mother-in-law, a model train for my son and dolls for my girls. When the sales clerk asked if I wanted them giftwrapped, without thinking I said, “Yes, please.” But then I changed my mind. I thought of the man selling pretty paper. I wasn’t much of a wrapper, but I could figure it out. This guy deserved a break, and buying his goods seemed like the right thing to do. After all, it was Christmas.

So with my unwrapped gifts, I left Leonard’s. Now the snow was coming down hard—a rare event in this part of Texas. The wind was kicking up a storm. The temperature had dipped down into single digits. It was hard to see, hard to walk against the howling wind. Folks were hanging on to light poles and the sides of buildings. Looking around, I couldn’t see my man. Where had he gone? Maybe he’d moved on. Battling the wind, I circled all the way around Leonard’s enormous complex. I went up and down the block two, three four times. Something told me I had to find him. But by now I was walking through a virtual blizzard.

I couldn’t look forever. He’d probably found shelter in some nearby coffee shop. Or maybe he actually went inside Leonard’s to wait out the storm. So I reentered the store where, for the next twenty minutes, I looked from one end to the other. But he was nowhere to be found. I gave up the search. Feeling a little guilty, I went to the clerks who had sold me my gifts and asked that they be wrapped. I was instructed to go the third-floor gift-wrap department. After waiting in line for twenty minutes, I asked the gift wrapper—a hefty middle-aged woman wearing a Santa’s cap—if she knew about the man who sold pretty paper, pen- cils and ribbons on the street outside the store.

“Oh, that bum,” she said condescendingly. “He’s nothing but a nuisance.”

“He didn’t seem like a bum,” I said. “He sounded like a singer.”

Busy making bows on the packages containing my daughters’ dolls, the wrapper didn’t respond. I’m not sure she heard what I said or, if she had, she didn’t think it was worth a reply.

I took the presents and, still looking for the man as I headed for the exit, left Leonard’s. Outside, the weather had worsened. With a shopping bag in each hand, I was barely able to fight my way through the wind to the bus stop. Still no peddler in sight. Fortunately the bus came along in a few minutes—this one was heated—and I took my seat and rode back home.

We had a nice Christmas. Big Bill’s made the difference. I worked there consistently through the holidays, meaning I could pay off some back bills and make peace—not to mention a little love—with my old lady. The kids loved their presents, my mother-in-law loved her chocolates and I thought if I could keep gigging and save a little money, maybe, just  maybe,  I could  make  that  move  to  Nashville,  where  I  might have better luck selling my songs.

Praise

Praise for Pretty Paper

“This is a touching, well-crafted, hard-knocks tale that earns its bittersweet ending; it stays with you like a mournful melody you can't quite shake.”—Jocelyn McClurg, USA Today

“Pretty Paper has an It's a Wonderful Life quality.”—David Martindale, The Dallas Morning News

“Always a fine songwriter and poet, Nelson now fictionalizes one of his songs....It reads like a chapter out of Nelson’s life.”—The Roanoke Times

“Willie Nelson has a gift for finding the beauty in the commonplace, and his song 'Pretty Paper' is a perfect example of the genius in his craft. A Christmas song that has been recorded by everyone from Roy Orbison to Chris Issak, it is a poignant holiday tale about a disabled vendor selling his wares on the street....Nelson tries to pay those who’ve inspired him back the best way he can -- by giving them the dignity of a great story.”—Sarah Lee, The Blaze

“Utterly charming and page-turning.”—Bob Ruggiero, Houston Press

“An inspiring, fictionalized account of the man behind the lyrics....Nelson spins a fast-paced story that is hard to put down.”—Glenn Dromgoole, Abilene Reporter-News

“Willie established long ago that he can conjure up a haunting two-minute tale in three-quarter time. But perhaps he should have been writing long-form feel-good fiction as well—because Pretty Paper is a good story well told...wholesome and heartfelt and rings true in every way...the reading experience will feel as if you’ve sat down with Willie Nelson in his tour bus and listened for a spell as he shared a homespun story from his adventure-filled life.”—David Martindale, The Fort Worth Star-Telegram

“Willie Nelson fans—you don’t have to go far to find these—will love it...smooth and insistent prose...in the manner that Willie would talk if he were just sitting down with you and telling you the story (and what a treat that would be).”—Larry Thornberry, The American Spectator

“A warm, witty holiday fable.”—Parade

“Willie Nelson, who has always told wonderful stories in song form, proves he can be just as effective in print narrative.”—Booklist

“This engaging holiday musical treat by a country music star will delight all readers, particularly Nelson’s fans.”—Library Journal

Author

© Todd V. Wolfson
WILLIE NELSON is a music legend and national treasure with a six-decade career and over 200 albums. This iconic Texan is the creative genius behind the historic recordings of Red Headed Stranger, Crazy, and Stardust. Willie has earned countless awards and accolades as a musician, in addition to being a celebrated author, actor, and activist. He continues to thrive as a musical and cultural force, writing, singing, and playing with the wit and wisdom that comes from a life on the road. Learn more about his work on willienelson.com and follow him on Instagram at @willlienelsonofficial and on Twitter and Facebook at @willienelson. View titles by Willie Nelson
David Ritz has collaborated on books with everyone from Ray Charles to Aretha Franklin. View titles by David Ritz

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