One of the Wall Street Journal’s Best Books of the Fall
“What an enormous and beneficent bounty these letters are for anyone who cares about this country’s literature during the last half century. . . . Come for the gossip. . . . Come for the love letters. . . . Come to watch him cope with the aftermath of fame. . . . Updike’s letters sing because he cared so intensely about getting the words right.” —Dwight Garner, The New York Times
“Witness the rapid ascent of the poor kid from Plowville, Pennsylvania, to Harvard and beyond. . . . [Updike’s] facility with details foreshadows the ease with which prose came to him as a novelist, the lapidary, graceful sentences that flowed and flowed. . . . As with his novels, the experience takes time to cohere, but when it does, one realizes Updike has built, line by line, an enclosed world. In these letters, as in his fiction, he never stopped trying to make life look composed, even as it came apart. . . . I felt a gratitude toward Updike at the end of this book that exceeded the feelings upon concluding one of his stories or novels.” —Thomas Beller, Airmail
“[Updike’s letters] have the repleteness of his fiction, the springy, unexpected notice of the smallest particulars. This huge volume is readable in a way that too many collections of writers’ letters, however useful to scholarly research, simply are not. Lovely flourishes remind us of Updike’s talent for light verse. . . [his] tenderness, a natural instinct for conciliation, always re-emerges. . . . These letters make plain [his] ability to marvel and thank [and the] willingness to take America to his bosom. . . that guarantees his permanent place in this country’s literature.” —Thomas Mallon, The Wall Street Journal
“Magnificent. . . . A profoundly poignant portrait, an invaluable historical document, and a timely reflection on the eternal tensions between societal conventions and free speech. The selection has been deftly edited by James Schiff. . . . Among Schiff’s many judicious interventions are an excellent introduction and the reproduction of some of Updike’s letters, postcards, telegrams and drawings. . . . Done this well, epistolary biography comes to seem the best and most honorable kind.” —Lisa Halliday, The Telegraph
“In the aggregate, Updike’s letters could constitute the outline for a never-published Updike novel. . . . Updike is, as ever, captivating on the page.” —Adrienne LaFrance, The Atlantic
"Brilliant: riveting and essential for anyone remotely interested in Updike; shockingly salacious enough to enthrall the remotely curious; and cleverly annotated for easy reading. . . . You realize that Updike’s greatness as a writer lies not in his much-lauded descriptive powers, nor in his ability to weave arcane areas of computer science or theology into his fiction, but in his ruthlessly honest psychological acuity, as he lays himself bare." —David Mills, The Times [London]
“The old cliché of never being at a loss for words is evident on every page of these letters, and they match perfectly with the behavior of Updike the novelist. . . . James Schiff’s editorial guidance, here and everywhere, is clarifying, always helpful and refusing to take sides. . . . Both extensive in fullness and unfailingly perceptive in critical viewpoint, this edition is a model of what such an edition should be.” —William Pritchard, The Hudson Review
“It should come as no surprise that Updike was as expansive, candid, and prolix in his personal correspondence as he was in his writing for publication and for pay. The superb, revelatory Selected Letters of John Updike gives an indication of the eagerness with which Updike wrote to friends, family members, both his wives, countless editors, and even the occasional critic. . . . [His] letters commemorate and valorize everyday existence with as much vigor as his fiction.” —Peter Tonguette, The American Conservative
“Missives from the mountain. . . . A sprightly and revealing collection by the writer who captured postwar American life, love, and loss.” —Kirkus Reviews
