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All This Could Be Different

A Novel

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Paperback
$18.00 US
5.14"W x 8"H x 0.66"D   (13.1 x 20.3 x 1.7 cm) | 8 oz (238 g) | 24 per carton
On sale Aug 01, 2023 | 320 Pages | 978-0-593-48914-7
Sales rights: US, Canada, Open Mkt
2022 NATIONAL BOOK AWARD FINALIST

ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR

ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR

Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more

One of the buzziest, most human novels of the year…breathless, dizzying, and completely beautiful.” Vogue

“Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time.” Entertainment Weekly

From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself—a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America


Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all.

A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant’s journey to make her home in the world.
A1


I would like to tell a story of a different time. I was twenty-two. A teak switch of a girl. I had finished college. There were not many jobs. The economy had punctured like a tire. Obama had won a second term. He said jobs healthcare national healing; he said, Trayvon Martin could have been my son. I was moved by this, thought that sort of imaginative exercise bravery. I would listen to his speeches on NPR as I dressed for work.

I had found a job. This set me apart from my college friends. I was a consultant, or going to be. This despite my arty degree. A consultant in training. Three toddlers hiding in a suit.

I did not consider myself a sellout. What I felt was that I had been saved from drowning. My classmates without jobs had moved in with their parents, were working unpaid internships at noble nonprofits. I wished them well. My parents were not with me, had left me to make my way in the new country. I was glad they did not, for now, need me to send them money. They had before.

My client was a baobab of a corporation. Fortune 500. They made car seats, heating units, pedometers, batteries. My boss demanded I wear pantyhose. You are a contractor, he told me, no benefits. Women who work for me wear makeup, that is how it is. My men wear suits. You must dress better than the clients, always. That is how they know we work for them. We get the client to their definition of success. People only want to hire a guy when they want to be him, a little. Remember that. Try some makeup. Just a little. Nothing tarty.

I listened dutifully. The pay was only okay. Billable contractor's wages, this despite the fifty-hour weeks. I had to file self-employment taxes. But my boss liked me. Early on he called me his rock star. This was funny to me, since in actuality rock stars get onstage, perform, fuck many girls, wreck the hotel room. I, meanwhile, sweated competence, a hungry efficiency. Waxed my arms, radiated deference, never met a Gantt chart I didn't like.

He had first offered me nineteen dollars an hour. His firm was tiny, only nine people. I said, Thank you, I will think on it. I walked to a good restaurant in my college town and drank a full glass of white wine in the middle of the afternoon. I called him back. I said, Hello, Peter. I have another offer but I want to work with you. Would you consider thirty. In the space between the gin bottles, the mirrored bar showed me a soft-featured girl, skin the color of Hennessy, eyes vacant with fear.

My boss said, like a god granting a boon: Twenty-three an hour. You'll relocate to Milwaukee, where your client is. I will pay for your apartment.

That sounds great, I said, may have added, I'm honored to get to work for you. All nonsense. Once I hung up I punched the air and yelled. I remember the restaurant as deserted, but it may not have been. This is not a story about work or precarity. I am trying, late in the evening, to say something about love, which for many of us is not separable from the other shit. As the summer began, I moved to Milwaukee, a rusted city where I had nobody, parents two oceans away, I lay on the sun-warmed wood floor of my paid-for apartment and decided I would be a slut.

B1

Thomas Zwick was a compact bear of a boy a few months older than me. In college we had settled into an instinctive comradeship. Half Italian, half pure Germanic Sconnie, Thom had disliked me at first. Then mysteriously decided I was good. Could be one of his boys.

I had been very shy then around his girlfriend, who had dark wisps of hair and a beautiful face, as soft and malleable as a baby's. This, paired with an alarming kindness, left me barely able to speak. Thom I was comfortable with. At some basal level of emotion we were alike, even though Thom was a spiky version of what we called a bro, a man who would not veer from a masculinity at once laid-back and entrenched. He lived in sweats. Listened to death metal when he was not listening to yacht rock. Lifted weights daily to a podcast on Engels. Managed, with good humor, the flares of his irritable bowel syndrome. He gave good hugs. He called me his dude. I loved that.

In July, Peter said that we needed a new junior consultant on the project. Another me. I forwarded his email on. Thom was unemployed then. Still living two hours away in our college town. Going to free concerts at the Terrace, taking meandering bike rides around Madison's lakes. His inability to find a job startled me. He was the smartest person I knew. I comprehended at a technical level what a recession was, but not what it meant, truly meant, for the people tumbling into its maw. Some half of my generation never recovered.

thx my dude. will think on it, Thom replied, and I, in my sparsely furnished apartment, felt my anger flare.

I'd reached out in a bid to cement friendship beyond graduation and one-dollar drinks at bars and burgers at the Plaza. In remembered fondness, knowing he needed the job and that he was from around here. He, like me, unlike our most forceful, savvy friends, did not seem ready yet to flee Wisco for the coasts.

cool, I wrote back. you do that.

So far being a slut had returned mixed results, and I suspected that, like swimmers with small feet or curvy ballerinas, I was not built for the championship leagues. There was some part of me too sensitive for it and I was not yet confident I wanted that to die. At the same time I had an opposing instinct, this counterweight of anxious hunger. Like a timepiece, ticking always.

I made myself a dinner of saaru and box-origin idli. I masturbated for hours.

Then I walked an aimless zigzag around the apartment, avoiding the open question of a shower. I had bought a stack of books on the history of Milwaukee, thinking they would help me unlock this stocky city with its emptied streets. These I had not opened. I looked through the introduction of one door-stopper tome, turned some pages, and impatiently thumped it down beside me on the floor.

On my phone I read an article about how, in certain cultures, there are no separate words for the color green and the color blue, and if you showed someone a grass-hued paint swatch next to one the color of summer sky, they would say these were the same. Different shades of one thing.

My phone buzzed. A green (?) bubble hung from its ceiling. It said, Amy Downstairs.

Amy was the property manager of the apartment Peter was putting me up in. She lived, as noted, below me. When I had moved in, she had stood outside and watched me struggle alone. She had an asymmetric haircut, one half razored close to her scalp. The other a dark red swoosh. Maroon comma ending at her jutting chin. A frowning face. Thin grooves in it.

The haircut made me feel strangely hopeful. I walked over, said, Hello, I'm-

Yes, Amy had said flatly, cutting me off. I should tell you right now. We don't like noise. I work at home and I need quiet. We don't tolerate any parties. I'm the property manager. I'll be checking out all the maintenance and collecting your half of utilities promptly. It's a great neighborhood. Quiet, clean, full of-she took a breath before the word-grown-ups.

This was so needlessly hostile I almost laughed. Nevertheless I said something gracious and conciliatory, casting around for empathy. Perhaps she'd had bad experiences with younger tenants before. Maybe college kids had lived above her, doing keg stands, screaming obscenities. Mocking Amy when she pleaded for consideration. She could not be that old herself. In her waning thirties at the latest.

Amy said she would show me the washing machine in the basement. She nodded at a shadowy figure leading a large dog, up on the screened porch above us.

That's my fiancŽ. Tim. He'll install your air-conditioning. If you want that.

She had emphasized the word fiancŽ, said it in a fashion that meant, Stay away. So I'd read the haircut wrong.

Before I relate the text in question, I should pause to say that so far, all this has been me casting fishing line into memory's river, reeling in what bites. The truth is I remember every single thing this woman wrote to me. Close my eyes and I can see it still: ovaloid gray, lime green.

(Some people might have called it blue; it all depends on your frame of reference.)

What the text said was,

what is wrong with u. be QUIET

I held the phone with both hands as though it might detonate.

Excuse me? I wrote back. I haven't made a sound. Think you must mean someone / something else?

There was no response. Many minutes passed. I allowed myself to move from the middle of the kitchen, where my feet had frozen me.

I brushed my teeth, running the water at the quietest trickle.

Sweat on my palms, drying now. It was impossible that she had intended this for me. I had not been blasting loud music or moving furniture. I'd been padding around the empty apartment in bare feet.

She must be perishing with embarrassment. Must have texted me this utterly butterly paagal thing meaning to send it to a family member, to her big lunk of a fiancŽ. Thinking this induced sympathy on my part. I ate a creamy bowl of yogurt and made a plan for how to while away the evening, which stretched too long ahead of me.

By the time I set out the night felt like something cooling from an oven. My hair wet and clean. I did not have a car and was not able to drive one. I calculated the blocks ahead of me, having left my phone behind, and walked to Brady Street alone.

Do you know if the hardware store is around here, I asked a young man with a long, horsey face.

Two blocks farther, then one block over, he said. Just past the pink awning, you see it, says Sneha Dry Goods, a block west after that.

You pronounce it SNAY-hah, I said. He'd replaced the e with an i. But already he had returned headphones to his small pink ears.

A clock, that was what I wanted. I would put it on the yellow kitchen wall. Its face would watch me as I moved through time.



As I stood in the checkout line I noticed her.

A woman in a hurry. Almost vibrating. Darting through the aisles. Drill in one hand, still in its red box. Surge protector in the other. She was wrapping its pale cord around her wrist, staring up at something on a high shelf.

She wasn't my type. Blond hair almost white. A Virginia Woolf nose. Her skin was somewhere between henna and marigold, came straight from a sunbed. Still, something about her stopped my breath. I did not want to stare, and I had no other option besides. I paid, counting out my cash. The store was crowded, harshly lit. Against the warm soft night I walked back home.

Distant fireworks that celebrated the country's independence shot off as I worked to hang the clock. Wobbling violently on the folding chair I stood on, I yelped and clutched the wall I'd hammered a nail into moments ago. I dropped the clock. Half the glass of it smashed outward. Seconds later, coming up through the floorboards toward me, a loud cry of rage.

C1

In college I had not known how to get women. Not in person. In secret I'd posted on Craigslist in the sleepless reaches of the night, replied to a personal ad or two. These assignations had given me a degree of confidence. Were bulwark against the terror of total inexperience. Now I had moved to a new city and wanted the real thing.

Some damp July night, I walked an hour to a bar I had heard was right. I was wearing the makeup from work and a filmy blouse. It showed my body's clean lines. My hair fell to my collarbone.

It all gave the wrong idea. Dykes in hiking boots and windbreakers took one look at me, and the few that did not prefer white girls in that wordless unexamined way made a beeline.

No no no, I wanted to say, not you. We could be friends. Move together in a pack. I shrugged off the tall butch in her brown vest who was bearing down on me, thumbing the curve of my waist. As bad as any man.

I crossed toward the girl who'd just walked in. A white little face set against dark hair, a Pulp Fiction bob. An uncertainty in her eyes that made her soft. She was at the bar, drinking wine out of a doubles glass. I looked down at her red, bitten mouth and felt my clit jump.

I smiled a wolf's smile with my eyes. In the past I had tried to be suave, elaborate, and things had gone a mediocre route. This time I simply said, hello. When she laughed, leaned close to me, I looked for the aging woman in the brown vest. Our eyes met and she looked so sour. In her mind Pulp Fiction and I both should have been hers. My lips twitched. Washed-up old dyke. I knew how beautiful I was in that moment, felt it burned into me, a brand. This is how I felt: alone and powerful. This is what I felt: the shock of how your life's longing can sometimes be smoothly realized, without great strain or cost, easy as buying a clock.

In undergrad I had been required to study a near-unreadable German novel about a young man who runs away from home to escape the pressure of his family's desires for him. For years he roams around, joins a theater troupe, gathers the friends that become the extension of his family, but by the end he chooses his destiny, chooses the staid sensible life that his parents wanted, finds a wife, all of his own free will. That's what a true adulthood had come to signify for me, a bowing down before the inevitable. For the lucky, this could be preceded by a period of freedom, the latitude of youth.
A Phenomenal Book Club Pick • A Vogue Book Club Pick • A Good Housekeeping Book Club Pick • A Belletrist Book Club Pick A The Rumpus Book Club Pick • An Autostraddle Book Club Pick

“Mathews has a big heart and a sharp tongue…[and] a wonderful eye for the things that make friendship and community just as valuable as romance.” The New York Times Book Review (Editors' Choice)

“What fuels [All This Could Be Different] is love, a force Mathews portrays not as a panacea [...] but as an instrument of change.” The New Yorker

“Twenty-somethings in the midst of self-discovery—and anyone who’s been 20-something—will appreciate how tenderly Mathews captures what it means to find support from loved ones during this vulnerable period in life.” The Washington Post

“Both lyrical and page-turning . . . All This Could Be Different, in which the lives of a group of millennials become fascinatingly entangled [...] offers us a panoramic view of mingled desires, fears, and joys that will be familiar to readers of Eliot and Austen, but [Mathews] does them one better: her novel is about an underrepresented first-generation immigrant, and it’s incredibly gay.” Los Angeles Review of Books

“A darkly witty and finely wrought exploration of the struggle to embrace one's identity, this debut also illuminates the hardships of immigrant life, the elusiveness of lasting romantic love—and ultimately the joy and belonging that can come from a 'family' of friends.” People

“This bold and wide-ranging novel sets its sights on what it really means to be 'okay' . . . [asking] questions that have consumed innumerable 20-somethings . . . Mathews expertly captures and elevates the position of being a young queer person in the post-recession U.S. with many more questions than answers.” Vogue

“Engrossing . . . a moving immigrant’s story and a heartfelt queer love story that tackles socioeconomic issues with nuance . . . its themes are universally relatable at any age.” Rolling Stone

“Sneha’s equally vulnerable and cutting narration of new friendships, new romances, and generally figuring it out captures the queer, immigrant experience unlike any other.” Harper's Bazaar

“Crafting a coming-of-age story about a queer character enduring post-capitalism with a gimlet eye, [Mathews] is simultaneously hilarious, tender and meaningful.” Los Angeles Times, “5 Best Fiction Books of 2022”

“A wholly original exploration of queer friendship and the demanding, incredible realities of communal living, Sarah Thankam Mathews convinces the reader that yes, maybe all this could be different after all.” Vulture, “The Best Books of 2022”

“[What] initially blew me away was the clarity of Mathews’ writing and the accuracy with which she describes experiences I’d previously taken for granted. Her writing is funny, incisive . . . This book gave me a lot to ponder, but ultimately left me hopeful.” —David Vogel, Buzzfeed

“Radiant . . . Mathews’ writing is daring, sharp, and authoritative. She’s a master in building rich characters that are imperfect and complicated, charismatic and lovable. At times, the prose felt luxurious and welcoming in the way that the scent of your favorite candle might slowly fill up an ever-expanding room.” Vox

“[One of] our most anticipated releases of the season . . . [written] with tenderness and exhilaration.” Elle

All This Could Be Different is easily a contender for Book of the Year.” —Observer

“[A] novel so good I was torn by the incompatible desires to never set it down and never finish it . . . [Mathews’] skillful alternating between lush imagery and straightforward, plain language makes All This Could Be Different pulsate . . . A masterclass in character development . . . it is perhaps the greatest depiction of what chosen family really means without ever explicitly using those words.” —Kayla Kumari Upadhyaya, Autostraddle

“[All This Could Be Different] is funny, poignant, and hits every nail on the head when it comes to dialogue and the nuances for friendship, work, sex, healing, and ultimately growing up.” —Shondaland

“[A] dazzling debut . . . There is so much here to chew on: economic and food insecurity, tenants’ rights, coming into one’s own, queer romance, immigration, and the vitality of friendship. All This Could Be Different is an epic and beautiful first novel from a writer to watch.” them.

“A beautiful, authentic rendition of the brown queer experience and immigrant dynamics, All This Could Be Different is a love letter to these communities. It is a novel of possibilities, and a novel bound to steal your heart." —Electric Literature

“[A] captivating debut novel . . . [All This Could Be Different] will sneak up on you and grab your heart.” San Francisco Bay Times

“[A] bildungsroman, an immigrant story, a hero’s journey not to be missed.” Lit Hub

“With stunning prose and metaphors that made me literally gasp, Mathews unpacks the impossible mental task, especially for folks with many intersecting identities, of distilling a lifetime of experiences and traumas into one concrete personality, all while trying not to be crushed under the psychological weight of capitalism. The cast of side characters, just as loving and charismatic as they are selfish and stunted, are so richly developed you can't help but recognize them. A deceptively readable (and often hilarious) tale full of sharp meditations on what it means to be a young adult in the modern world.” Buzzfeed, “Best Books Releasing in August”

All This Could Be Different captures the authentic adventure of an immigrant: how she manages to forge a bond with the US through love and community. Sarah Thankam Mathews’s tender and beautiful prose renders the story unforgettable.” The Millions

“Moving . . . a searing portrait of the joys and pains of being a young adult in turbulent times.” Debutiful

“I deeply appreciated Mathews’s choices in this book—toward nuance, toward lyricism that elevates queer emotions, toward being present in the complex reality of straddling cultural expectations between family and community . . . Mathews is a great writer, and does the complexities justice.” —S. Bear Bergman, Xtra Magazine

“Perhaps it's too soon to say which books we'll look back on in 50 years as the ones that defined a generation, but [All This Could Be Different], a close-to-perfect coming-of-age romp, is surely a contender. Bitingly funny and sweetly earnest, it's one of those rare novels that feels just like life . . . [Mathews] captures some unnamable, essential thing about being a 20-something struggling through work and love and late-stage capitalism . . . In the manner of books that stay with you forever, All This Could Be Different is a singular story that extends beyond itself . . . [A] funny, vibrant, heartbreaking book.” BookPage (starred review)

“Mathews achieves what so often seems to be impossible: a deeply felt 'novel of ideas' . . . [She] somehow tackles the big abstractions—capitalism, gender, sexuality, Western individualism, etc.—while at the same time imbuing her characters with such real, flawed humanity that they seem ready to walk right off the page. Rarely is dialogue rendered so accurately . . . Mathews can be deeply moving at the same time that she is funny; she dips into slang in a way that feels lyrical and rhythmic . . . beautifully written, lusciously felt, and marvelously envisioned. Resplendent with intelligence, wit, and feeling.” Kirkus (starred review)

“Sneha is a magnetic teller of her tale of finding love, growing up, and summoning the power to change—and choose—her life. Kindred to Brandon Taylor's stellar Real Life, this novel burrows deep.” Booklist (starred review)

“Mathews’s poignant and illuminating debut centers on an aloof 22-year-old Indian immigrant whose first job out of college brings her to the Midwest . . . Mathews [charts] the wonders of community-building, delving into the strenuous work that goes into sustaining meaningful friendships as well as the heartbreak that ensues when connections are fractured by dishonesty. [A] thoughtful exploration of how the legacies of trauma make an impact.” Publishers Weekly

All This Could Be Different is an extraordinary novel, spiny and delicate, scathingly funny and wildly moving. Sarah Thankam Mathews is a brilliant writer, one whose every ringing sentence holds both bite and heart.” —Lauren Groff, author of Matrix

“Some books are merely luminous—this one is iridescent: with joy and pain, isolation and communion, solemnity and irreverent humor. Even the title has twin meanings. ‘All this could be different’ is a sorrowing observation of our contemporary precarity, but ‘All this could be different’ is equally—and ultimately—a declaration, an electrifying act of resistance.” —Susan Choi, author of Trust Exercise

“Battle cry and love song both, All This Could Be Different is an ode—tender, sexy, and smart—to coming of age in turbulent times. As Sneha navigates the hilarious and deadly serious work of being a good friend, lover, daughter, immigrant, adult, queer woman, and worker under late stage capitalism, what emerges is a portrait of a woman determined to live her life to its brim--no matter what. Sarah Thankam Mathews writes like a blaze, and this book will remind you what it is to be young and powerfully alive.” —C Pam Zhang, author of How Much of These Hills is Gold

“Sarah Thankam Mathews’ prose is undeniable and hyper attuned to the terrible privacy of the mind. In All This Could Be Different, she captures the sneaky, unsayable parts of longing and writes sharply about the long shadow of family.” —Raven Leilani, author of Luster

“Everything about this novel is perfect. It’s about friendship and work, two things which so rarely get treated with such nuance and care in fiction. Sneha’s narrative voice is both snarky and warm. Every scene comes alive. If you’re looking for your next great queer Millennial read, this is it.” BookRiot

“Sarah Thankam Mathews’s All This Could Be Different is a deeply honest and compelling testimony. It is breathtaking in its beauty and profound in its meaning. Mathews captures the complexities, contradictions, and dissonances of life with astounding aplomb and care. All This Could Be Different is quietly epic.” —Robert Jones, Jr., author of The Prophets

“Sharply observed and deeply empathetic, All This Could Be Different is a gorgeous story of dreaming and daring against the odds. I loved these flawed, funny friends and I rooted for them, and as I raced toward the end I felt an ache in my chest, missing them already.” —Dawnie Walton, author of The Final Revival of Opal & Nev
 
“Sarah Thankam Mathews’ All This Could Be Different is an exquisite debut. Mathews’ is a completely original voice that is, by turns, fierce, witty, musical, poignant, and, yes, deeply sexy. Simultaneously a tender portrait of chosen family, a stunningly rendered queer romance, and a keen reflection on work in a monstrous economy, this novel also thrums with a persistent, private hope for another, better world. It is the kind of book one should read not only to be entertained or impressed, but also to feel less alone.” —Sanjena Sathian, author of Gold Diggers
© Dondre Stuetley
Sarah Thankam Mathews grew up between Oman and India, immigrating to the United States at seventeen. Her work has been published in Best American Short Stories and she is a recipient of fellowships from the Asian American Writers’ Workshop and the Iowa Writers’ Workshop. In 2020, she founded the mutual aid group Bed-Stuy Strong. All This Could Be Different is her first novel. View titles by Sarah Thankam Mathews
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About

2022 NATIONAL BOOK AWARD FINALIST

ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR

ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR

Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more

One of the buzziest, most human novels of the year…breathless, dizzying, and completely beautiful.” Vogue

“Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time.” Entertainment Weekly

From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself—a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America


Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.

But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all.

A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant’s journey to make her home in the world.

Excerpt

A1


I would like to tell a story of a different time. I was twenty-two. A teak switch of a girl. I had finished college. There were not many jobs. The economy had punctured like a tire. Obama had won a second term. He said jobs healthcare national healing; he said, Trayvon Martin could have been my son. I was moved by this, thought that sort of imaginative exercise bravery. I would listen to his speeches on NPR as I dressed for work.

I had found a job. This set me apart from my college friends. I was a consultant, or going to be. This despite my arty degree. A consultant in training. Three toddlers hiding in a suit.

I did not consider myself a sellout. What I felt was that I had been saved from drowning. My classmates without jobs had moved in with their parents, were working unpaid internships at noble nonprofits. I wished them well. My parents were not with me, had left me to make my way in the new country. I was glad they did not, for now, need me to send them money. They had before.

My client was a baobab of a corporation. Fortune 500. They made car seats, heating units, pedometers, batteries. My boss demanded I wear pantyhose. You are a contractor, he told me, no benefits. Women who work for me wear makeup, that is how it is. My men wear suits. You must dress better than the clients, always. That is how they know we work for them. We get the client to their definition of success. People only want to hire a guy when they want to be him, a little. Remember that. Try some makeup. Just a little. Nothing tarty.

I listened dutifully. The pay was only okay. Billable contractor's wages, this despite the fifty-hour weeks. I had to file self-employment taxes. But my boss liked me. Early on he called me his rock star. This was funny to me, since in actuality rock stars get onstage, perform, fuck many girls, wreck the hotel room. I, meanwhile, sweated competence, a hungry efficiency. Waxed my arms, radiated deference, never met a Gantt chart I didn't like.

He had first offered me nineteen dollars an hour. His firm was tiny, only nine people. I said, Thank you, I will think on it. I walked to a good restaurant in my college town and drank a full glass of white wine in the middle of the afternoon. I called him back. I said, Hello, Peter. I have another offer but I want to work with you. Would you consider thirty. In the space between the gin bottles, the mirrored bar showed me a soft-featured girl, skin the color of Hennessy, eyes vacant with fear.

My boss said, like a god granting a boon: Twenty-three an hour. You'll relocate to Milwaukee, where your client is. I will pay for your apartment.

That sounds great, I said, may have added, I'm honored to get to work for you. All nonsense. Once I hung up I punched the air and yelled. I remember the restaurant as deserted, but it may not have been. This is not a story about work or precarity. I am trying, late in the evening, to say something about love, which for many of us is not separable from the other shit. As the summer began, I moved to Milwaukee, a rusted city where I had nobody, parents two oceans away, I lay on the sun-warmed wood floor of my paid-for apartment and decided I would be a slut.

B1

Thomas Zwick was a compact bear of a boy a few months older than me. In college we had settled into an instinctive comradeship. Half Italian, half pure Germanic Sconnie, Thom had disliked me at first. Then mysteriously decided I was good. Could be one of his boys.

I had been very shy then around his girlfriend, who had dark wisps of hair and a beautiful face, as soft and malleable as a baby's. This, paired with an alarming kindness, left me barely able to speak. Thom I was comfortable with. At some basal level of emotion we were alike, even though Thom was a spiky version of what we called a bro, a man who would not veer from a masculinity at once laid-back and entrenched. He lived in sweats. Listened to death metal when he was not listening to yacht rock. Lifted weights daily to a podcast on Engels. Managed, with good humor, the flares of his irritable bowel syndrome. He gave good hugs. He called me his dude. I loved that.

In July, Peter said that we needed a new junior consultant on the project. Another me. I forwarded his email on. Thom was unemployed then. Still living two hours away in our college town. Going to free concerts at the Terrace, taking meandering bike rides around Madison's lakes. His inability to find a job startled me. He was the smartest person I knew. I comprehended at a technical level what a recession was, but not what it meant, truly meant, for the people tumbling into its maw. Some half of my generation never recovered.

thx my dude. will think on it, Thom replied, and I, in my sparsely furnished apartment, felt my anger flare.

I'd reached out in a bid to cement friendship beyond graduation and one-dollar drinks at bars and burgers at the Plaza. In remembered fondness, knowing he needed the job and that he was from around here. He, like me, unlike our most forceful, savvy friends, did not seem ready yet to flee Wisco for the coasts.

cool, I wrote back. you do that.

So far being a slut had returned mixed results, and I suspected that, like swimmers with small feet or curvy ballerinas, I was not built for the championship leagues. There was some part of me too sensitive for it and I was not yet confident I wanted that to die. At the same time I had an opposing instinct, this counterweight of anxious hunger. Like a timepiece, ticking always.

I made myself a dinner of saaru and box-origin idli. I masturbated for hours.

Then I walked an aimless zigzag around the apartment, avoiding the open question of a shower. I had bought a stack of books on the history of Milwaukee, thinking they would help me unlock this stocky city with its emptied streets. These I had not opened. I looked through the introduction of one door-stopper tome, turned some pages, and impatiently thumped it down beside me on the floor.

On my phone I read an article about how, in certain cultures, there are no separate words for the color green and the color blue, and if you showed someone a grass-hued paint swatch next to one the color of summer sky, they would say these were the same. Different shades of one thing.

My phone buzzed. A green (?) bubble hung from its ceiling. It said, Amy Downstairs.

Amy was the property manager of the apartment Peter was putting me up in. She lived, as noted, below me. When I had moved in, she had stood outside and watched me struggle alone. She had an asymmetric haircut, one half razored close to her scalp. The other a dark red swoosh. Maroon comma ending at her jutting chin. A frowning face. Thin grooves in it.

The haircut made me feel strangely hopeful. I walked over, said, Hello, I'm-

Yes, Amy had said flatly, cutting me off. I should tell you right now. We don't like noise. I work at home and I need quiet. We don't tolerate any parties. I'm the property manager. I'll be checking out all the maintenance and collecting your half of utilities promptly. It's a great neighborhood. Quiet, clean, full of-she took a breath before the word-grown-ups.

This was so needlessly hostile I almost laughed. Nevertheless I said something gracious and conciliatory, casting around for empathy. Perhaps she'd had bad experiences with younger tenants before. Maybe college kids had lived above her, doing keg stands, screaming obscenities. Mocking Amy when she pleaded for consideration. She could not be that old herself. In her waning thirties at the latest.

Amy said she would show me the washing machine in the basement. She nodded at a shadowy figure leading a large dog, up on the screened porch above us.

That's my fiancŽ. Tim. He'll install your air-conditioning. If you want that.

She had emphasized the word fiancŽ, said it in a fashion that meant, Stay away. So I'd read the haircut wrong.

Before I relate the text in question, I should pause to say that so far, all this has been me casting fishing line into memory's river, reeling in what bites. The truth is I remember every single thing this woman wrote to me. Close my eyes and I can see it still: ovaloid gray, lime green.

(Some people might have called it blue; it all depends on your frame of reference.)

What the text said was,

what is wrong with u. be QUIET

I held the phone with both hands as though it might detonate.

Excuse me? I wrote back. I haven't made a sound. Think you must mean someone / something else?

There was no response. Many minutes passed. I allowed myself to move from the middle of the kitchen, where my feet had frozen me.

I brushed my teeth, running the water at the quietest trickle.

Sweat on my palms, drying now. It was impossible that she had intended this for me. I had not been blasting loud music or moving furniture. I'd been padding around the empty apartment in bare feet.

She must be perishing with embarrassment. Must have texted me this utterly butterly paagal thing meaning to send it to a family member, to her big lunk of a fiancŽ. Thinking this induced sympathy on my part. I ate a creamy bowl of yogurt and made a plan for how to while away the evening, which stretched too long ahead of me.

By the time I set out the night felt like something cooling from an oven. My hair wet and clean. I did not have a car and was not able to drive one. I calculated the blocks ahead of me, having left my phone behind, and walked to Brady Street alone.

Do you know if the hardware store is around here, I asked a young man with a long, horsey face.

Two blocks farther, then one block over, he said. Just past the pink awning, you see it, says Sneha Dry Goods, a block west after that.

You pronounce it SNAY-hah, I said. He'd replaced the e with an i. But already he had returned headphones to his small pink ears.

A clock, that was what I wanted. I would put it on the yellow kitchen wall. Its face would watch me as I moved through time.



As I stood in the checkout line I noticed her.

A woman in a hurry. Almost vibrating. Darting through the aisles. Drill in one hand, still in its red box. Surge protector in the other. She was wrapping its pale cord around her wrist, staring up at something on a high shelf.

She wasn't my type. Blond hair almost white. A Virginia Woolf nose. Her skin was somewhere between henna and marigold, came straight from a sunbed. Still, something about her stopped my breath. I did not want to stare, and I had no other option besides. I paid, counting out my cash. The store was crowded, harshly lit. Against the warm soft night I walked back home.

Distant fireworks that celebrated the country's independence shot off as I worked to hang the clock. Wobbling violently on the folding chair I stood on, I yelped and clutched the wall I'd hammered a nail into moments ago. I dropped the clock. Half the glass of it smashed outward. Seconds later, coming up through the floorboards toward me, a loud cry of rage.

C1

In college I had not known how to get women. Not in person. In secret I'd posted on Craigslist in the sleepless reaches of the night, replied to a personal ad or two. These assignations had given me a degree of confidence. Were bulwark against the terror of total inexperience. Now I had moved to a new city and wanted the real thing.

Some damp July night, I walked an hour to a bar I had heard was right. I was wearing the makeup from work and a filmy blouse. It showed my body's clean lines. My hair fell to my collarbone.

It all gave the wrong idea. Dykes in hiking boots and windbreakers took one look at me, and the few that did not prefer white girls in that wordless unexamined way made a beeline.

No no no, I wanted to say, not you. We could be friends. Move together in a pack. I shrugged off the tall butch in her brown vest who was bearing down on me, thumbing the curve of my waist. As bad as any man.

I crossed toward the girl who'd just walked in. A white little face set against dark hair, a Pulp Fiction bob. An uncertainty in her eyes that made her soft. She was at the bar, drinking wine out of a doubles glass. I looked down at her red, bitten mouth and felt my clit jump.

I smiled a wolf's smile with my eyes. In the past I had tried to be suave, elaborate, and things had gone a mediocre route. This time I simply said, hello. When she laughed, leaned close to me, I looked for the aging woman in the brown vest. Our eyes met and she looked so sour. In her mind Pulp Fiction and I both should have been hers. My lips twitched. Washed-up old dyke. I knew how beautiful I was in that moment, felt it burned into me, a brand. This is how I felt: alone and powerful. This is what I felt: the shock of how your life's longing can sometimes be smoothly realized, without great strain or cost, easy as buying a clock.

In undergrad I had been required to study a near-unreadable German novel about a young man who runs away from home to escape the pressure of his family's desires for him. For years he roams around, joins a theater troupe, gathers the friends that become the extension of his family, but by the end he chooses his destiny, chooses the staid sensible life that his parents wanted, finds a wife, all of his own free will. That's what a true adulthood had come to signify for me, a bowing down before the inevitable. For the lucky, this could be preceded by a period of freedom, the latitude of youth.

Praise

A Phenomenal Book Club Pick • A Vogue Book Club Pick • A Good Housekeeping Book Club Pick • A Belletrist Book Club Pick A The Rumpus Book Club Pick • An Autostraddle Book Club Pick

“Mathews has a big heart and a sharp tongue…[and] a wonderful eye for the things that make friendship and community just as valuable as romance.” The New York Times Book Review (Editors' Choice)

“What fuels [All This Could Be Different] is love, a force Mathews portrays not as a panacea [...] but as an instrument of change.” The New Yorker

“Twenty-somethings in the midst of self-discovery—and anyone who’s been 20-something—will appreciate how tenderly Mathews captures what it means to find support from loved ones during this vulnerable period in life.” The Washington Post

“Both lyrical and page-turning . . . All This Could Be Different, in which the lives of a group of millennials become fascinatingly entangled [...] offers us a panoramic view of mingled desires, fears, and joys that will be familiar to readers of Eliot and Austen, but [Mathews] does them one better: her novel is about an underrepresented first-generation immigrant, and it’s incredibly gay.” Los Angeles Review of Books

“A darkly witty and finely wrought exploration of the struggle to embrace one's identity, this debut also illuminates the hardships of immigrant life, the elusiveness of lasting romantic love—and ultimately the joy and belonging that can come from a 'family' of friends.” People

“This bold and wide-ranging novel sets its sights on what it really means to be 'okay' . . . [asking] questions that have consumed innumerable 20-somethings . . . Mathews expertly captures and elevates the position of being a young queer person in the post-recession U.S. with many more questions than answers.” Vogue

“Engrossing . . . a moving immigrant’s story and a heartfelt queer love story that tackles socioeconomic issues with nuance . . . its themes are universally relatable at any age.” Rolling Stone

“Sneha’s equally vulnerable and cutting narration of new friendships, new romances, and generally figuring it out captures the queer, immigrant experience unlike any other.” Harper's Bazaar

“Crafting a coming-of-age story about a queer character enduring post-capitalism with a gimlet eye, [Mathews] is simultaneously hilarious, tender and meaningful.” Los Angeles Times, “5 Best Fiction Books of 2022”

“A wholly original exploration of queer friendship and the demanding, incredible realities of communal living, Sarah Thankam Mathews convinces the reader that yes, maybe all this could be different after all.” Vulture, “The Best Books of 2022”

“[What] initially blew me away was the clarity of Mathews’ writing and the accuracy with which she describes experiences I’d previously taken for granted. Her writing is funny, incisive . . . This book gave me a lot to ponder, but ultimately left me hopeful.” —David Vogel, Buzzfeed

“Radiant . . . Mathews’ writing is daring, sharp, and authoritative. She’s a master in building rich characters that are imperfect and complicated, charismatic and lovable. At times, the prose felt luxurious and welcoming in the way that the scent of your favorite candle might slowly fill up an ever-expanding room.” Vox

“[One of] our most anticipated releases of the season . . . [written] with tenderness and exhilaration.” Elle

All This Could Be Different is easily a contender for Book of the Year.” —Observer

“[A] novel so good I was torn by the incompatible desires to never set it down and never finish it . . . [Mathews’] skillful alternating between lush imagery and straightforward, plain language makes All This Could Be Different pulsate . . . A masterclass in character development . . . it is perhaps the greatest depiction of what chosen family really means without ever explicitly using those words.” —Kayla Kumari Upadhyaya, Autostraddle

“[All This Could Be Different] is funny, poignant, and hits every nail on the head when it comes to dialogue and the nuances for friendship, work, sex, healing, and ultimately growing up.” —Shondaland

“[A] dazzling debut . . . There is so much here to chew on: economic and food insecurity, tenants’ rights, coming into one’s own, queer romance, immigration, and the vitality of friendship. All This Could Be Different is an epic and beautiful first novel from a writer to watch.” them.

“A beautiful, authentic rendition of the brown queer experience and immigrant dynamics, All This Could Be Different is a love letter to these communities. It is a novel of possibilities, and a novel bound to steal your heart." —Electric Literature

“[A] captivating debut novel . . . [All This Could Be Different] will sneak up on you and grab your heart.” San Francisco Bay Times

“[A] bildungsroman, an immigrant story, a hero’s journey not to be missed.” Lit Hub

“With stunning prose and metaphors that made me literally gasp, Mathews unpacks the impossible mental task, especially for folks with many intersecting identities, of distilling a lifetime of experiences and traumas into one concrete personality, all while trying not to be crushed under the psychological weight of capitalism. The cast of side characters, just as loving and charismatic as they are selfish and stunted, are so richly developed you can't help but recognize them. A deceptively readable (and often hilarious) tale full of sharp meditations on what it means to be a young adult in the modern world.” Buzzfeed, “Best Books Releasing in August”

All This Could Be Different captures the authentic adventure of an immigrant: how she manages to forge a bond with the US through love and community. Sarah Thankam Mathews’s tender and beautiful prose renders the story unforgettable.” The Millions

“Moving . . . a searing portrait of the joys and pains of being a young adult in turbulent times.” Debutiful

“I deeply appreciated Mathews’s choices in this book—toward nuance, toward lyricism that elevates queer emotions, toward being present in the complex reality of straddling cultural expectations between family and community . . . Mathews is a great writer, and does the complexities justice.” —S. Bear Bergman, Xtra Magazine

“Perhaps it's too soon to say which books we'll look back on in 50 years as the ones that defined a generation, but [All This Could Be Different], a close-to-perfect coming-of-age romp, is surely a contender. Bitingly funny and sweetly earnest, it's one of those rare novels that feels just like life . . . [Mathews] captures some unnamable, essential thing about being a 20-something struggling through work and love and late-stage capitalism . . . In the manner of books that stay with you forever, All This Could Be Different is a singular story that extends beyond itself . . . [A] funny, vibrant, heartbreaking book.” BookPage (starred review)

“Mathews achieves what so often seems to be impossible: a deeply felt 'novel of ideas' . . . [She] somehow tackles the big abstractions—capitalism, gender, sexuality, Western individualism, etc.—while at the same time imbuing her characters with such real, flawed humanity that they seem ready to walk right off the page. Rarely is dialogue rendered so accurately . . . Mathews can be deeply moving at the same time that she is funny; she dips into slang in a way that feels lyrical and rhythmic . . . beautifully written, lusciously felt, and marvelously envisioned. Resplendent with intelligence, wit, and feeling.” Kirkus (starred review)

“Sneha is a magnetic teller of her tale of finding love, growing up, and summoning the power to change—and choose—her life. Kindred to Brandon Taylor's stellar Real Life, this novel burrows deep.” Booklist (starred review)

“Mathews’s poignant and illuminating debut centers on an aloof 22-year-old Indian immigrant whose first job out of college brings her to the Midwest . . . Mathews [charts] the wonders of community-building, delving into the strenuous work that goes into sustaining meaningful friendships as well as the heartbreak that ensues when connections are fractured by dishonesty. [A] thoughtful exploration of how the legacies of trauma make an impact.” Publishers Weekly

All This Could Be Different is an extraordinary novel, spiny and delicate, scathingly funny and wildly moving. Sarah Thankam Mathews is a brilliant writer, one whose every ringing sentence holds both bite and heart.” —Lauren Groff, author of Matrix

“Some books are merely luminous—this one is iridescent: with joy and pain, isolation and communion, solemnity and irreverent humor. Even the title has twin meanings. ‘All this could be different’ is a sorrowing observation of our contemporary precarity, but ‘All this could be different’ is equally—and ultimately—a declaration, an electrifying act of resistance.” —Susan Choi, author of Trust Exercise

“Battle cry and love song both, All This Could Be Different is an ode—tender, sexy, and smart—to coming of age in turbulent times. As Sneha navigates the hilarious and deadly serious work of being a good friend, lover, daughter, immigrant, adult, queer woman, and worker under late stage capitalism, what emerges is a portrait of a woman determined to live her life to its brim--no matter what. Sarah Thankam Mathews writes like a blaze, and this book will remind you what it is to be young and powerfully alive.” —C Pam Zhang, author of How Much of These Hills is Gold

“Sarah Thankam Mathews’ prose is undeniable and hyper attuned to the terrible privacy of the mind. In All This Could Be Different, she captures the sneaky, unsayable parts of longing and writes sharply about the long shadow of family.” —Raven Leilani, author of Luster

“Everything about this novel is perfect. It’s about friendship and work, two things which so rarely get treated with such nuance and care in fiction. Sneha’s narrative voice is both snarky and warm. Every scene comes alive. If you’re looking for your next great queer Millennial read, this is it.” BookRiot

“Sarah Thankam Mathews’s All This Could Be Different is a deeply honest and compelling testimony. It is breathtaking in its beauty and profound in its meaning. Mathews captures the complexities, contradictions, and dissonances of life with astounding aplomb and care. All This Could Be Different is quietly epic.” —Robert Jones, Jr., author of The Prophets

“Sharply observed and deeply empathetic, All This Could Be Different is a gorgeous story of dreaming and daring against the odds. I loved these flawed, funny friends and I rooted for them, and as I raced toward the end I felt an ache in my chest, missing them already.” —Dawnie Walton, author of The Final Revival of Opal & Nev
 
“Sarah Thankam Mathews’ All This Could Be Different is an exquisite debut. Mathews’ is a completely original voice that is, by turns, fierce, witty, musical, poignant, and, yes, deeply sexy. Simultaneously a tender portrait of chosen family, a stunningly rendered queer romance, and a keen reflection on work in a monstrous economy, this novel also thrums with a persistent, private hope for another, better world. It is the kind of book one should read not only to be entertained or impressed, but also to feel less alone.” —Sanjena Sathian, author of Gold Diggers

Author

© Dondre Stuetley
Sarah Thankam Mathews grew up between Oman and India, immigrating to the United States at seventeen. Her work has been published in Best American Short Stories and she is a recipient of fellowships from the Asian American Writers’ Workshop and the Iowa Writers’ Workshop. In 2020, she founded the mutual aid group Bed-Stuy Strong. All This Could Be Different is her first novel. View titles by Sarah Thankam Mathews

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•     Spain
•     St Barthelemy
•     St.Pier,Miquel.
•     Sth Terr. Franc
•     Suriname
•     Svalbard
•     Sweden
•     Switzerland
•     Syria
•     Tadschikistan
•     Taiwan
•     Thailand
•     Timor-Leste
•     Togo
•     Tokelau Islands
•     Tunisia
•     Turkey
•     Turkmenistan
•     Ukraine
•     Unit.Arab Emir.
•     Uruguay
•     Uzbekistan
•     Vatican City
•     Venezuela
•     Vietnam
•     Wallis,Futuna
•     West Saharan
•     Western Samoa
•     Yemen

Not available for sale:
•     Antigua/Barbuda
•     Australia
•     Bahamas
•     Bangladesh
•     Barbados
•     Belize
•     Bermuda
•     Botswana
•     Brit.Ind.Oc.Ter
•     Brit.Virgin Is.
•     Brunei
•     Cameroon
•     Cayman Islands
•     Christmas Islnd
•     Cocos Islands
•     Cyprus
•     Dominica
•     Falkland Islnds
•     Fiji
•     Gambia
•     Ghana
•     Gibraltar
•     Grenada
•     Guernsey
•     Guyana
•     India
•     Ireland
•     Isle of Man
•     Jamaica
•     Jersey
•     Kenya
•     Kiribati
•     Lesotho
•     Malawi
•     Malaysia
•     Malta
•     Mauritius
•     Montserrat
•     Mozambique
•     Namibia
•     Nauru
•     New Zealand
•     Nigeria
•     Pakistan
•     PapuaNewGuinea
•     Pitcairn Islnds
•     S. Sandwich Ins
•     Seychelles
•     Sierra Leone
•     Singapore
•     Solomon Islands
•     Somalia
•     South Africa
•     Sri Lanka
•     St. Helena
•     St. Lucia
•     St. Vincent
•     St.Chr.,Nevis
•     Sudan
•     Swaziland
•     Tanzania
•     Tonga
•     Trinidad,Tobago
•     Turks&Caicos Is
•     Tuvalu
•     Uganda
•     United Kingdom
•     Vanuatu
•     Zambia
•     Zimbabwe