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Self-portraits of each illustrator crown this important anthology that celebrates the artists and the art of the picture book. An event book for the ages.
Proceeds from the book will benefit the Eric Carle Museum of Picture Book Art in Amherst, MA.
This anthology celebrates and elucidates contemporary picture-book art, particularly that which has been exhibited at the Eric Carle Museum. An introduction (and entry) is penned by Carle himself; an afterword from the museum director highlights the institution’s mission of nurturing young artists. Ashley Bryan, Quentin Blake, Leo Lionni, Alice Provensen, and Gennady Spirin are among the contributors, whose comments are formatted as signed letters, illustrated with childhood photographs. The missives speak of early stirrings of creativity, struggles with school, the importance of mentors, the joy of living a passion. Each artist includes glorious self-portraits and a gatefold page that reveals a marvelous array of sketches, color mixes, and studio scenes. All readers will find something that piques curiosity or provides insight: a page from Tomie dePaola’s first picture book (1965); Jerry Pinkney’s cowboy model and horse substitute; Paul Zelinsky’s sequential panels depicting the Renaissance-inspired technique used for Rapunzel and his portrait. While there is some overlap with Pat Cummings’s “Talking with Artists” series (S & S), there are no framing questions, so the illustrators ruminate freely. Sendak writes about finding “a space in the text so that the pictures can do the work.” Sabuda (whose portrait is a pop-up) envisions a “dance across the page.” Brief biographies and bibliographies conclude the title. A selective work, by nature, results in omissions, and there are some surprising absences. Yet, the end result is a gorgeous, browsable gallery of international treasures, with a behind-the-scenes tour led by the generous and gifted creators themselves. —School Library Journal
Self-portraits of each illustrator crown this important anthology that celebrates the artists and the art of the picture book. An event book for the ages.
Proceeds from the book will benefit the Eric Carle Museum of Picture Book Art in Amherst, MA.
This anthology celebrates and elucidates contemporary picture-book art, particularly that which has been exhibited at the Eric Carle Museum. An introduction (and entry) is penned by Carle himself; an afterword from the museum director highlights the institution’s mission of nurturing young artists. Ashley Bryan, Quentin Blake, Leo Lionni, Alice Provensen, and Gennady Spirin are among the contributors, whose comments are formatted as signed letters, illustrated with childhood photographs. The missives speak of early stirrings of creativity, struggles with school, the importance of mentors, the joy of living a passion. Each artist includes glorious self-portraits and a gatefold page that reveals a marvelous array of sketches, color mixes, and studio scenes. All readers will find something that piques curiosity or provides insight: a page from Tomie dePaola’s first picture book (1965); Jerry Pinkney’s cowboy model and horse substitute; Paul Zelinsky’s sequential panels depicting the Renaissance-inspired technique used for Rapunzel and his portrait. While there is some overlap with Pat Cummings’s “Talking with Artists” series (S & S), there are no framing questions, so the illustrators ruminate freely. Sendak writes about finding “a space in the text so that the pictures can do the work.” Sabuda (whose portrait is a pop-up) envisions a “dance across the page.” Brief biographies and bibliographies conclude the title. A selective work, by nature, results in omissions, and there are some surprising absences. Yet, the end result is a gorgeous, browsable gallery of international treasures, with a behind-the-scenes tour led by the generous and gifted creators themselves. —School Library Journal
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