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Formulations

Architecture, Mathematics, Culture

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$39.95 US
5.43"W x 8"H x 1.25"D   (13.8 x 20.3 x 3.2 cm) | 20 oz (561 g) | 16 per carton
On sale Jan 11, 2022 | 432 Pages | 9780262543002
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An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century.

In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
            Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. 
            Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
 
Andrew Witt is Associate Professor in Practice of Architecture at Harvard University Graduate School of Design and cofounder of Certain Measures, a design and technology studio based in Berlin and Boston.
 
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1 Models, Machines, Manuals, and Cabinets 9 
2 A Machine Epistemology: Encapsulated Knowledge and the Instrumentation of Architecture 31
3 Theorems Made Flesh: The Architectonics of Mathematical Maquettes 61
4 Alternate Dimensions: Measuring Space from Building to Hyperbody 101
5 A Virtuality Atlas: Stereoscopic Drawing and Geometric Dream Space 141
6 Illusion Engines: Drawing at the Speed of Light 181
7 Labyrinths, Topology, and Meinong's Jungle: Architecture's Impossible Objects 221
8 All You Need Is Cube: The Political Economy of Grid Space 273
9 Geometry's Mass Media: Broadcasting Technique in Architecture's Hyperbolic Era 307
10 Crystal Collectives: Architecture's Chemical Subcultures 343
11 Of Dabblers and Virtuosos 387
Notes 395
Acknowledgments 419
Index 421

About

An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century.

In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
            Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. 
            Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
 

Author

Andrew Witt is Associate Professor in Practice of Architecture at Harvard University Graduate School of Design and cofounder of Certain Measures, a design and technology studio based in Berlin and Boston.
 

Rights

Available for sale exclusive:
•     Afghanistan
•     Aland Islands
•     Albania
•     Algeria
•     Andorra
•     Angola
•     Anguilla
•     Antarctica
•     Antigua/Barbuda
•     Argentina
•     Armenia
•     Aruba
•     Australia
•     Austria
•     Azerbaijan
•     Bahamas
•     Bahrain
•     Bangladesh
•     Barbados
•     Belarus
•     Belgium
•     Belize
•     Benin
•     Bermuda
•     Bhutan
•     Bolivia
•     Bonaire, Saba
•     Bosnia Herzeg.
•     Botswana
•     Bouvet Island
•     Brazil
•     Brit.Ind.Oc.Ter
•     Brit.Virgin Is.
•     Brunei
•     Bulgaria
•     Burkina Faso
•     Burundi
•     Cambodia
•     Cameroon
•     Canada
•     Cape Verde
•     Cayman Islands
•     Centr.Afr.Rep.
•     Chad
•     Chile
•     China
•     Christmas Islnd
•     Cocos Islands
•     Colombia
•     Comoro Is.
•     Congo
•     Cook Islands
•     Costa Rica
•     Croatia
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•     Cyprus
•     Czech Republic
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•     Denmark
•     Djibouti
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•     Malaysia
•     Maldives
•     Mali
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•     Marshall island
•     Martinique
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•     Mayotte
•     Mexico
•     Micronesia
•     Minor Outl.Ins.
•     Moldavia
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•     Mongolia
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•     Morocco
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•     Seychelles
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•     Solomon Islands
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•     Spain
•     Sri Lanka
•     St Barthelemy
•     St. Helena
•     St. Lucia
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•     St.Pier,Miquel.
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•     Switzerland
•     Syria
•     Tadschikistan
•     Taiwan
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•     Timor-Leste
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•     Tuvalu
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•     Unit.Arab Emir.
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•     Vanuatu
•     Vatican City
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•     Vietnam
•     Wallis,Futuna
•     West Saharan
•     Western Samoa
•     Yemen
•     Zambia
•     Zimbabwe

Table of Contents

1 Models, Machines, Manuals, and Cabinets 9 
2 A Machine Epistemology: Encapsulated Knowledge and the Instrumentation of Architecture 31
3 Theorems Made Flesh: The Architectonics of Mathematical Maquettes 61
4 Alternate Dimensions: Measuring Space from Building to Hyperbody 101
5 A Virtuality Atlas: Stereoscopic Drawing and Geometric Dream Space 141
6 Illusion Engines: Drawing at the Speed of Light 181
7 Labyrinths, Topology, and Meinong's Jungle: Architecture's Impossible Objects 221
8 All You Need Is Cube: The Political Economy of Grid Space 273
9 Geometry's Mass Media: Broadcasting Technique in Architecture's Hyperbolic Era 307
10 Crystal Collectives: Architecture's Chemical Subcultures 343
11 Of Dabblers and Virtuosos 387
Notes 395
Acknowledgments 419
Index 421