Advance praise for End of Empire:
“A rich, sprawling work that nods toward biblical and mythological references, history, and rural landscapes . . . Davis deploys her innovative approach to language and inquiry. The work moves with a wise and deliberate eye, creating a visceral resonance of meaning . . The poems look closely at politics, a Kentucky childhood, the Black body, and human resilience with a skill that maps the interconnectedness of people, place, and consequence across time . . . One is encouraged to return for repeated and close examinations of a truly beautiful work.” —Booklist
“A full-on embrace of a swift-fire and tenacious intellect. Davis hears the sprawling music beneath our errant swerves, our fractured selves. But here is a special kind of spirit work. I measure poems by the strong sense of what is passed to a reader; Davis’s poems reconstitute language, extract its bright glimmerings, and points a way back to our elemental wonder. Straight up fire!” —Major Jackson, author of Razzle Dazzle
“In Marissa Davis's stunning and wide-ranging debut, End of Empire takes as its task the unraveling of what we have learned in the crucible of home, country, gender. Fragmented and lush, economical but expansive, this collection finds solace in the possibilities of new grammars. From Paducah, Kentucky to Paris, France, from Ecclesiastes to Persephone, Davis’s poems refuse what is no longer tolerable, instead practice the slow, long ways knowing that can bring us back to ourselves and each other. ” —Donika Kelly, author of Bestiary and The Renunciations
“Against eloquence, ennoblement, and the first person, Marissa Davis’s End of Empire pursues language to the limits of the unutterable. What’s amazing is that, at this bare point where she tears syntax apart, Davis hovers at an extravagant perpetual crescendo . . . Read this book!” —Ken Chen, author of Juvenilia
