Cornelius von Baerle lives only to cultivate the elusive black tulip and win a magnificent prize for its creation. But when his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in a deadly political intrigue. Falsely accused of high treason by a bitter rival, Cornelius is condemned to life in prison. His only comfort is Rosa, the jailer's beautiful daughter, who helps him concoct a plan to grow the black tulip in secret. As Robin Buss explains in his informative introduction, Dumas infuses his story with elements from the history of the Dutch Republic (including two brutal murders) and Holland's seventeenth-century "tulipmania" phenomenon.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature.
View titles by Alexandre Dumas
Cornelius von Baerle lives only to cultivate the elusive black tulip and win a magnificent prize for its creation. But when his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in a deadly political intrigue. Falsely accused of high treason by a bitter rival, Cornelius is condemned to life in prison. His only comfort is Rosa, the jailer's beautiful daughter, who helps him concoct a plan to grow the black tulip in secret. As Robin Buss explains in his informative introduction, Dumas infuses his story with elements from the history of the Dutch Republic (including two brutal murders) and Holland's seventeenth-century "tulipmania" phenomenon.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author
Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature.
View titles by Alexandre Dumas
