July Picks for Higher Education

One of People's 15 Most Anticipated Books of SummerFrom Annie Jacobsen, the author of the bestselling Nuclear War: A Scenario, a book on a subject that has long orbited her reporting: biological warfare.A lab accident, a bio-attack, a global pandemic, and the collapse of human society. In this essential new book, based on dozens of new interviews with experts with high-level political, governmental, medical, and military responsibility, Annie Jacobsen examines this very scenario. It would be only a matter of days from such a global infection before the infrastructure built to handle this gravest of situations would be in a battle for human existence.The fallout: mass death, total societal breakdown, widespread insurrection, anarchy, and a plague-ravaged wasteland that no longer resembles modern civilization. In other words: dystopia.Following the gripping narrative style that launched Nuclear War to the New York Times bestseller list, Jacobsen looks deeply at a situation that is in some ways the opposite of a nuclear bomb: There is no mushroom cloud, no shock wave or blast. Instead, the scenario that could end the world as we know it begins with something so small, and something so malicious, that when used for evil, only evil can result. This is what could happen; a ticking-clock roadmap to the hours, days, and weeks following the release of a biological agent, that serves as the most essential, forward-looking journalism in preparation for urgent societal upheaval.

From the beloved, award-winning author of the modern classics Lost Children Archive and Tell Me How It Ends comes her most powerful and page-turning novel yet: the tale of a mother and a daughter starting over, searching for a new story."A beautiful, maybe perfect, novel.” —Tommy Orange, author of Wandering StarsThis story begins when a mother and her daughter take off on a trip. It is a summer of rapidly changing winds, volcanic rumbles, and sudden tempests. They’ve landed in Sicily, near the ancient ruins where the mother’s grandmother worked long ago on an archaeological dig. The narrator’s marriage has collapsed, her mother is losing her memory, and her daughter is on the threshold of adolescence, starting to ask difficult questions and form complex memories. How do you begin again? the narrator wonders, pondering her family line. How do you begin again if you got the beginning wrong?While the mother tries to figure out how to reconstruct their lives as a duo—cooking meals side by side, reading out loud to each other, playing chess, bickering and making up—her daughter takes the reins of the story, and their journey soon becomes a quest for origins, not just to the familial past across continents, languages, and generations, but also farther back, to a mythical and even geological past.Beginning Middle End evolves into a road novel of exquisite tenderness, spanning four generations of women. In their travels through Sicily, mother and daughter cross paths with the island’s migrants, storekeepers, and elders, and also its volcanoes, its winds, and its waters. Weaving myths, ancient philosophy, and natural history with fleeting moments of contemporary life, the unforgettable characters in this novel take us on a journey across time, and confront some of life’s primary questions: How do stories shape our children’s memories and imagination? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?Warm, funny, and poetic, this novel is an ode to imagination and possibility in dark times.

A year in the life of a family as they strike out into the unknown (aka Vermont), leaving all the comforts of home behind—a rollicking, lyrical novel from Pulitzer Prize finalist Daniel Mason, the bestselling author of North Woods and one of America’s greatest living writersMiles Krzelewski is a devoted husband, a doting father beloved for his outlandish bedtime stories, and the proud owner of a truffle-hunting dog in a land with no truffles. He is also a bit lost, twelve years late with his PhD on Russian folktales and increasingly haunted by a sense that he’s become a disappointment to his family. So when his wife, Kate, accepts a visiting professorship at a prestigious college in the faraway forests of Vermont, he decides that this will be the year to finally move forward with his life.But Miles is a man of many enthusiasms, one who possesses, in Kate’s words, a great capacity “to fall in with anyone, anywhere.” And no sooner does he arrive than he finds himself entangled with a cast of characters as colorful as those of any of his folktales, from a ghostly tree surgeon to a scythe-mad biochemist, from a Shakespearean temptress to a photographer of snowflakes obsessed with chronicling, on thousands of index cards, the world’s delusions in an Inventory of Wrong Ideas.The new friends, the enchanted woods, the histories: sure, no PhD, but all good fun. Until Miles stumbles upon a bizarre—perhaps ridiculous—local legend, which, he soon suspects, might not be just a legend after all.Joyous, absurd, and life-affirming, Country People is a luminous exploration of marriage and parenthood, the nature of belief and the power of stories, and the ways in which we find connection in an increasingly fragmented world.

From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a sizzling noir about desire, danger, and greed, in which seduction is the ultimate con.

From #1 New York Times bestselling author and two-time Pulitzer winner Colson Whitehead, an exuberantly entertaining novel that brings to life 1980s New York in the magnificent final volume of his Harlem Trilogy1981. New York City is beginning to emerge from financial ruin and decline, energized by rampant real estate development and a Wall Street unchained by Reagan-era predatory capitalism. Up in Harlem, successful business owner/master fence Ray Carney has just been named Sterling Furniture’s Dealer of the Month. When the banks won’t give his beloved wife Elizabeth a loan for her new travel agency, however, Carney gambles on one last heist, and finds himself entangled with a legendary criminal mastermind.1983. To some, Carney’s friend and partner in crime, Pepper, is a stone-cold sociopath. To others, a top thief with questionable people skills. Either way, he’s feeling his age in his troubled gut and his aching bones. When he takes on a bodyguard gig as a favor to Elizabeth, he’s plunged into the alien territory of the East Village art and club scene. Luckily for him, whether you’re uptown or down, everyone speaks the same language of violence—Pepper is a native speaker.1986. Carney has always been haunted by his inability to save his cousin Freddie. Now, twenty years after Freddie’s death, he has a chance to rescue Freddie’s son from the violent forces of the city. But coming out of retirement and teaming up with Pepper again will mean risking the safety and security he’s spent decades building for his family, with only one shot to get it right.With his usual pitch-perfect prose, Whitehead paints a portrait of a city in transition, where shimmering skyscrapers rise to the heavens as displaced people huddle in abandoned tunnels below. In a dazzling display of protean imagination, Cool Machine roves all over the city, from Windows on the World to the Meadowlands, to show that in New York, and in the lives of Whitehead’s vivid characters, it’s what’s below the surface that reveals the truth.