New Spring 2026 Fiction for Higher Education

#1 NEW YORK TIMES BESTSELLER • “A scorching portrait of modern America. And yet it also brings a sense of sense of hope, not only because [it] reminds us how powerful a great novel can be, but because of the sense . . . that a universal justice will prevail.”—R. J. Palacio for Time, “25 Books That Capture This American Moment” A “spectacular” (Los Angeles Times) novel from the Booker Prize–winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next“Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

In this crackling portrayal of friendship in peril, a young woman's world is upended when a tragedy in her best friend's life tests the boundaries of their sisterhood—a sharp and compelling debut novel from a Ghanaian-American writer.

Rising star Mieko Kawakami reaches new heights in this pacy, thrilling novel, a Japanese Breaking Bad, in which a group of friends fight for freedom, independence, and survival in Tokyo of the 1990s, a world rapidly dividing into haves and have-nots.All of them are fleeing something. Growing up without a father, Hana’s tired of the pity in her classmates’ eyes, and finds a flashier mother figure in Kimiko. Kimiko is older than Hana's mother but seems much younger, chatting easily about school and boys and wanting a better life. Fate throws them together with two more young women—bruised but not broken by life. Together the four set out to remake their lives, fighting predatory lenders, organized criminals, and plain bad luck as they open a bar called Lemon. Keeping the business going, and trying to take care of each other, forms the core of this enrapturing novel. It is a story of startling reversals and vivid portraits of the matriarchy of Tokyo nightlife and its adjacent criminal underclasses. From the bar owners to the aging hostesses to the young street touts coaxing people off the street to places like Lemon, everyone wants a chance at renewal, but can everyone get it? Narrated by Hana in Kawakami’s trademark evocatively poetic style and paced like a noir, Sisters in Yellow will be the literary blockbuster of the season. This epic of friendship and betrayal is the kind of book one longs to return to when away from it: a world unto itself, and a book that makes you think while it produces immensities of feeling. It is a major novel that, like so many of the best recent phenomena—from Donna Tartt to Hanya Yanagihara—explores how we survive (or don't) together.

NATIONAL BESTSELLER • A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola“Wise, witty . . . a deliciously readable book [about] the delicate minutiae of family life, played beautifully, boldly, brightly in a major key.”—The New York Times Book Review (Editors’ Choice) “Goodman’s mature and deftly written book suggests that, in family as in art, there is no such thing as uncomplicated happiness.”—The Wall Street Journal Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way.When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

The Sharaf family is the picture of success. Prosperous, rich, happy. They came to this country as refugees with nothing more than the clothes on their backs. And now, after years of hard work, they live in the most exclusive neighborhood, their growing family attending the most prestigious schools. Zorah, the eldest daughter, is the apple of her father’s eye. When an unthinkable tragedy strikes, everyone is left reeling and the family is thrust into the court of public opinion. There is talk that behind closed doors the Sharafs’ happy household was anything but. Did the Sharaf family achieve the American dream? Or was the image of the model immigrant family just a façade? Like a literary game of ping-pong, Good People compels the reader to reconsider what might have happened even on the previous page. Told through a kaleidoscope of perspectives, it is a riveting, provocative, and haunting story of family—sisters, brothers, mothers, fathers, and the communities that claim us as family in difficult times.

"Maria Semple is a treasure." —Los Angeles Times The New York Times bestselling author of Where'd You Go, Bernadette returns to form in her most exuberant and life-affirming novel yet with the story of one woman’s cheerful determination to live a life of the mind only to have the heart force its way in.Adora Hazzard has it all figured out. A Stoic philosopher and divorcée, she lives a contented life on New York City’s Upper West Side. Having discovered that the secret to happiness is to desire only what you have, she’s applied this insight to blissful effect: relishing her teenage daughter, the freedom of being solo, and her job as a moral tutor for the twin boys of an old-money family. She’s even assembled a "coven"—like-minded women who live on the same floor in the legendary Ansonia—and is making active efforts to grow its membership. Adora’s carefully curated life is humming along brilliantly until a chance meeting with a handsome stranger.Soon, her ordered world is upended by black-market art deals, secret rendezvous, and international intrigue . . . and her past—which she has worked so hard to bury—lands like a bomb in her present. Inflamed by unquenchable desire, Adora finds herself a woman wanting more: and she’ll risk everything to get it.Adora Hazzard’s journey of self-discovery will grip you from the start. Romantic, hilarious, intelligent, and bursting with the stuff of life, Go Gentle is a thrilling story of one woman’s mid-life transformation, cementing Maria Semple in the pantheon of our most exciting and important contemporary writers.